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ABOUT Comparison aerial photographs of San Francisco printed on glossy fine art paper. The first image is an aerial shot of the city taken in 1981 by an unknown photographer. It depicts the harbor and downtown all the way out to Ocean Beach and the Golden Gate Bridge. The second image is taken from the same vantage point. It is stamped, ‘Photograph of San Francisco is ruins from Lawrence Captive Airship 2000 feet above San Francisco Bay. Overlooking waterfront, sunset over Golden Gate.’ There is also a copyright stamp for George R Lawrence. Lawrence used an aerial kite to photograph San Francisco after the devastating 1906 earthquake. His photographs appeared in newspapers around the world and generated more than $15,000 for the photographer. CREATOR Unknown and George R. Lawrence and Co. DATE OF MANUFACTURE 1906 and 1981. MATERIALS AND TECHNIQUES Photograph on glossy fine art paper. CONDITION Good. Wear consistent with age and use. DIMENSIONS Sheet: H 21.5 in. x W 23.5 in., Image: H 16 in. W 18.5 in. HISTORY George R. Lawrence (1868-1938) After working briefly at a Chicago wagon factory in 1889, George Lawrence opened a studio for the production of crayon enlargements — large photographs, usually portraits, that have been enhanced by pastels or charcoal. Crayon enlargements were popular wall decorations in the late 1800s. In 1893, Lawrence's studio partner left Chicago permanently. Lawrence inherited the equipment and learned to develop negatives from a local photographer's apprentice. He formed the Geo. R. Lawrence Company and quickly became an innovator in the field, using the slogan "The Hitherto Impossible in Photography is Our Specialty." Lawrence designed his own large-format cameras and specialized in aerial views. He began by using ladders...

ABOUT Price per piece. Large metal on wood typeset print blocks. One was used to create a "Note" form and the other a "ATT" form. Work great as trivets. Shown with life size hand...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate...

ABOUT An original large Eastman Kodak No. 2C folding pocket camera with red bellows. The body is wrapped in leather with chrome and brass accents. The camera folds to 2.25 inches. O...

ABOUT An original Eastman Kodak No. 2 folding camera. The body of camera is all leather with that folds smoothly closed to 1.5 inches. This camera has retained its original finish...

ABOUT A "No. 1 Pocket Kodak" folding camera. The body of camera is all leather with a leather handle and it folds smoothly closed to 1.25 inches. This camera has retained its orig...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator: Denise Tarantino for Dah Len Studios. Date of manufacture: circa 1990-1995 Materials and techniques: Photography paper, polaroid, wood, glass. Condition: Excellent. Dimensions: H 6.5 in., W 6.5 in., D 1 in. History: Dah Len, a Taiwanese fashion photographer, was in high demand, and the images created at the studio were used for high-end fashion editorials, fashion magazine ads, clothing catalogs, album covers, and pop culture publicity. The client list included publications and high end brands: Vanity Fair, W, New York Times, Interview, Details, Giorgio Armani, Kenneth Cole, Sean John...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator: Denise Tarantino for Dah Len Studios. Date of manufacture: circa 1990-1995 Materials and techniques: Photography paper, polaroid, wood, glass. Condition: Excellent. Dimensions: H 6.5 in., W 6.5 in., D 1 in. History: Dah Len, a Taiwanese fashion photographer, was in high demand, and the images created at the studio were used for high-end fashion editorials, fashion magazine ads, clothing catalogs, album covers, and pop culture publicity. The client list included publications and high end brands: Vanity Fair, W, New York Times, Interview, Details, Giorgio Armani, Kenneth Cole, Sean John...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator: Denise Tarantino for Dah Len Studios. Date of manufacture: circa 1990-1995 Materials and techniques: Photography paper, polaroid, wood, glass. Condition: Excellent. Dimensions: H 6.5 in., W 6.5 in., D 1 in. History: Dah Len, a Taiwanese fashion photographer, was in high demand, and the images created at the studio were used for high-end fashion editorials, fashion magazine ads, clothing catalogs, album covers, and pop culture publicity. The client list included publications and high end brands: Vanity Fair, W, New York Times, Interview, Details, Giorgio Armani, Kenneth Cole, Sean John...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator Denise Tarantino for Dah Len...

This is an original test Polaroid image. In the pre-digital age, a Polaroid test image would verify that the model, product, and lighting would translate well on film. The studio needed to ensure that everything would translate correctly before the expense of shooting on film. Framed in a new matte black frame, this piece retains its original finish. Creator Denise Tarantino for Dah Len...