Sager Reeves Gallery Black and White Photography

All artworks are Fine Art archival prints on handmade Ise-Washi paper, from the color Analog negative made with a lensless pinhole camera. The proposed framing is a float mount in a deep shadow box frame, where the artwork is hinged inside the frame, for the 2 larger sizes, and matted with an 8 ply museum board for the 2 smaller sizes. We propose a white mat frame or a natural wood frame. Japanese photographer Reiko Yagi...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wi...

Muscle Boy is an iconic image by Leonard Freed who was a pioneer in socially conscious photojournalism. In this photo a boy flexes his muscles for the camera perhaps making a statem...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which is then printed...

Capturing the Jewish diaspora and the Hasidic community in Brooklyn, New York in the 1950s, this is subject matter which American photographer Leonard Freed from Brooklyn widely cove...

"Untitled (Nr. 0382)" Black * White Photography 18" x 24" Ed. of 20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the...

"Mademoiselle Chanel in the Atelier, 1962" Ed. 9/24 signed by Douglas Kirkland Hand signed by Douglas Kirkland Printed later Medium: archival pigment print on Hahnemühle watercolor ...

Muscle Boy, Harlem, 1963 by Leonard Freed is a signed and numbered archival Iris print. The edition 25/100 was in a planned edition of 100 and halted at 25 prints (as annotated on ve...

Iconic and rare limited edition prints direct from the negative, signed on reverse in pencil by photographer Accompanied by recently released photo book "Limelight" September 2025, ...

Venice 2 , Limited edition archival pigment print , 2002 - Edition of 5. This image was captured on film with a camera Xpan Hasselblad . The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity, unframed Please note. There are two sizes of this print; each is an edition of five (5) making the total that can be printed as ten (10). This will include any custom sizes requested Archival pigment print available sizes : 30 x 88 cm / 11,81 x 34,65 in - Edition of 5 50 x 146 cm / 17,72 x 57,48 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Style : Black and white photography, 20th. century, Archival pigment print, Long room, Panoramic, I Love...

Signed limited edition, archival pigment print from photographer Alec Byrne, taken during the Rock and Roll Circus taping on December 11th, 1968 featuring, ...

Empire, 2014 by Hank Gans, is a 19” x 13” black-and-white landscape photograph of New York City captured while Gans was on assignment as a still photographer...