MOMA SARL Lounge Chairs

Vintage LC1 black leather chair designed by Le Corbusier circa 1928's and manufactured by Cassina in 1990's. Engraved serial umber 46639, Le Corbusier signature and Cassina mark. Ver...

Vintage LC1 chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand, circa 1928. Base in chromed tubular steel, pony skin upholstery. Marked/engraved on the frame: Le Corbusier LC1...

Orchidee Lounge Chairs by Michel Cadestin for Airborne, France 1968. Original upholstery is excellent condition. Sofa sold in separate lis...

Showcasing the meticulous work of French designer Gilles Bouchez, this set of two lounge chairs from 1972 is an iconic representation of mid-century modern design. Crafted by Airborn...

Le Corbusier' iconic 1928 design created with his collaborators, Pierre Jeanneret and Charlotte Perriand, the petit version of his "Grand Comfort" lounge chair, the LC2 features the ...

- Newly upholstered - Repolished stained beech legs

LC3 Grand Modele Armchair for Cassina. Black leather and chrome plated steel. Newer production, circa 2010 or later. One of the most iconic chairs, t...

1950s English upholstered lounge chairs. The chairs have solid walnut legs, original casters and completely restored and upholstered.

Pair of rare 1960's organic curved lounge chairs by Airborne France fully restored with new foam and De Ploeg 'Monza' Boucle upholster...

Pair of vintage LC1 chairs designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand, circa 1928. Base in chromed tubular steel, pony skin upholstery. Marked/engraved on the fr...

A pair of vintage original Le Corbusier, Perriand and Jeanneret LC2 Chrome and Ivory Leather lounge chairs for Cassina with labelled upholstery and serial numbers. The price shown is for both chairs. The LC2 chair, designed in 1928 by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, is a key piece in the evolution of modernist furniture. Originally part of a series created for the Villa Church (a private residence for a client in the Paris suburb of Ville-d'Avray), the LC2 epitomizes the collaborative spirit of the three designers. Its tubular steel frame and free form cushions marked a break from traditional designs, combining minimalist form with unexpected comfort. It was first presented in 1929 at the Salon d'Automne in Paris as part of a collection that would later be called the Equipement Interieur d’une Habitation (Interior Equipment for a Living). Alongside the LC2, the trio designed other iconic pieces, such as the LC1 Sling Chair, the LC3 Sofa, and the LC4 Chaise Longue. The LC4, in particular, is often considered one of the most innovative pieces in the collection, with its curved steel frame and adjustable reclining mechanism it was not just a chair, but a piece of furniture designed to enhance relaxation. As such it became a symbol of the modernist ideal—furniture that was as much about living comfortably as it was about making a design statement. The LC designs were created not just as individual works but as a broader vision for modern interiors, where furniture wasn’t just decorative but integrated into the living environment, serving both aesthetic and functional purposes. While the LC2 chair was part of this vision for the Villa Church, it wasn't designed specifically for that one space; rather, it was a part of an overall shift towards modernist furniture that transcended any one project. When compared to the Bauhaus metal chairs...

Pair of 1950s lounge or slipper chairs in the manner of Gilbert Rohde. Off-white upholstery with black lacquered wood legs. Dunbar style.