Social Objects Case Pieces and Storage Cabinets

Lovely antique 19th century Neoclassical wall cabinet / small cabinet Germany 1880. This German Grunderzeit cabinet is made from hand carved oak & is richly decorated. A true display of craftsmanship & quality. This cabinet has 2 doors and comes with a working lock & key. Its interior has 2 oak shelves. The cabinet has a very nice old restoration to the right side dating from the 1940s. A piece of furniture history with the right antique charm...

Set of three Poul Cado wall units. One is a three drawer cabinet measures - 30"W x 16"D x 18"H One drop down bar cabinet measures - 30"W x 14.5"Dx16H ...

Luxurious & romantic French Renaissance revival Wall cabinet / small cabinet , richly carved & decorated with brass. Very nice craftsmanship with impressive carvings. When opened...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

George Nelson Herman Miller Thin Profile Cabinet. Uncommon little cabinet that does not take up much space. Please request additional photos and condition report. Appears that the ...

This Omni shelving system by George Nelson redefines modular display with architectural finesse and mid-century innovation. The shelving unit is supported by slender, spring-loaded t...

Dyrlund Mid Century Danish Teak Tambour Door Credenza This credenza measures: 74 wide x 19 deep x 30.5 inches high All pieces of furniture can be had in what we call restored vinta...

Gorgeous Danish design credenza/sideboard in teak designed and produced by Bernhard Pedersen. Bernhard Pedersen is known for very high quality Danish furniture and this piece perfect...

This George Nelson for Herman Miller 8000 Series credenza features not two, but three sliding doors—a configuration so unusual we couldn't find another example online. At first, we a...

Credenza designed by Peter Protzmann for Herman Miller in the 1970s. This was a limited production run. Made from exotic African zebra-wood and supported by a chrome frame and three ...

George Nelson Thin Edge cabinet model 5723 for Herman Miller USA, 1952. Classic. Materials: teak, aluminum Dimensions: 33 1/2" h x 67 1/4" w x 19 1/4" d 

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...