Solid Gold Velvet Mantel Clocks

A brass circular base with a central inset hinged glass panel that reveals a white metal face with black enameled Roman numerals hours and Arabic numerals seconds. The clock lacks a ...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Maitland-Smith designed this stunning marquetry picture frame. The piece was expertly crafted circa 1980 and rendered in tessellated marble, stone, and travertine. The piece boasts l...

A pyramid shaped box having 4 graduating drawers with brass ball knobs . Made of polished pen shell which is a material that the manufacturer Maitland Smith often used. All sitting u...

Lovely Art Deco pink glass mantle clock from Smiths clock makers Circa 1930. Fretted out brass bezel. Previously a mechanical wind up clock h...

Large 1980s Maitland Smith Tessellated Stone and brass box. Measurements for just the box without the design. height 4.75'' depth 12.25'' depth 8.25''

For your consideration, a vintage box attributed to Maitland Smith (no label present). Tessellated Stone & Brass Square Box. Postmodern era. Dominant colors: off-white, green and go...

This is a fine box made by Maitland Smith. The box is made of tesselaited marble and has a teak interior. The top is inlaid with a x designed in marble.

Vintage Tessellated square shape decorative lidded marble box by Maitland Smith. Measures: Square 4" x 4" x 2" H. Maitland Smith 1970s tessellated travertine table...

Large scale candlestick in neoclassical form rendered in tessellated marble stone and gilt by Maitland smith. 1970s

Late 20th Century triangle tessellated travertine stone box featuring black marble and black cloth interior lining.