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Pair of Cabinets by Gilbert Rohde for Herman Miller
By Gilbert Rohde
Located in Dallas, TX
A pair of model 4140 chest of drawers designed by Gilbert Rohde for Herman Miller in mahogany and mohair.
Category
Vintage 1940s Dressers
Materials
Mohair, Mahogany
Dunbar Dresser with Leather Handles by Edward Wormley
By Edward Wormley
Located in Dallas, TX
An early walnut dresser with leather covered handles. Designed by Edward Wormley for Dunbar.
Category
Vintage 1950s Dressers
Materials
Walnut
Dunbar Chest with Natzler Tiles by Edward Wormley
By Gertrud and Otto Natzler, Edward Wormley
Located in Dallas, TX
A rare chest designed by Edward Wormley for Dunbar. Solid walnut construction with exposed joinery and brass pulls with ceramic tiles by Greta and Otto Natzler. Matching smaller dres...
Category
Vintage 1950s Dressers
Materials
Walnut
Edward Wormley for Dunbar Louvered Six Drawer Dresser
By Edward Wormley
Located in Dallas, TX
A louvered front six drawer dresser designed by Edward Wormley for Dunbar. Matching nightstand available separately.
Category
Vintage 1950s Dressers
Materials
Mahogany
Florence Knoll Walnut Dresser
By Florence Knoll
Located in Dallas, TX
A walnut chest of drawers with brushed steel base. Designed by Florence Knoll for Knoll.
Category
Vintage 1960s Dressers
Materials
Walnut
Florence Knoll Walnut Dresser with Travertine Top
By Florence Knoll
Located in Dallas, TX
A walnut chest of drawers with brushed steel base and travertine top. Designed by Florence Knoll for Knoll.
Category
Vintage 1960s Dressers
Materials
Travertine
Dunbar Chest with Natzler Tiles by Edward Wormley
By Edward Wormley
Located in Dallas, TX
A rare chest designed by Edward Wormley for Dunbar. Solid walnut construction with exposed joinery and brass pulls with ceramic tiles by greta and Otto Natzler. Matching dresser ava...
Category
Vintage 1950s Dressers
Materials
Walnut
George Nelson Rosewood Thin edge Dresser
By George Nelson
Located in Dallas, TX
A rosewood thin edge chest designed by George Nelson for Herman Miller.
Category
Vintage 1950s Dressers
Materials
Rosewood
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Expertly Restored - Edward J. Wormley Mahogany 5-Drawers Dresser for Dunbar
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Gilbert Rohde Paldao Cabinet for Herman Miller
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Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home.
The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944.
Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle.
In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...
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