STU PLUS d.o.o. Umbrella Stands
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Umbrella Stand 1960s
Located in Ljubljana, SI
Mid Century Modern German Brass & Teak Umbrella Stand from German manufacturer ERWI, 1960s.
Umbrella stand is made of brass, varnished solid teak wood sides and white enamelled rods...
Category
Vintage 1960s German Mid-Century Modern Umbrella Stands
Materials
Brass, Sheet Metal
Umbrella stand by GOCCIA 1980s
By Boccato Gigante Zambusi
Located in Ljubljana, SI
Postmodern umbrella stand by Magis, design by Boccato Gigante Zambusi.
The contrast between black and yellow is striking. The round steel is painted yellow and clamps into a black p...
Category
Vintage 1980s Italian Mid-Century Modern Umbrella Stands
Materials
Steel
$634 Sale Price
20% Off
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Dimensions (cm):
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Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer.
Rizzo was born in Naples in 1928 but moved to France at an early age. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci.
In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and traveled to Tunisia for Point de Vue to photograph the conflict in North Africa, which was later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, which allowing him to capture these public figures in unusually candid moments.
Hoping to advance his career even further, Rizzo traveled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in color, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects.
In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue.
Over the course of his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before she tragically committed suicide a few weeks later.
In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions.
Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles.
With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Among Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...
Category
Vintage 1950s Italian Mid-Century Modern Umbrella Stands
Materials
Lucite, Plexiglass
$960
H 20.48 in W 11.03 in D 12.6 in
1960s Bauhaus Umbrella Stand Style of Hermès Paris
By Hermès
Located in Chula Vista, CA
AMBIANIC presents
Vintage Brass Cast Iron Umbrella Stand Cane Holder
similar to Hermes Paris Style 1960s.
Bauhaus Modernist design from Germany.
Wear consistent with age and use.
Or...
Category
Vintage 1960s German Mid-Century Modern Umbrella Stands
Materials
Brass, Iron



