Tangram Prints

A classic and happy, Alexander Girard sceenprint on canvas panel ca' 1970's. Measures approx. 24"x24", mounted on stretcher.

Louis Icart (French, 1888-1950) Modern Eve (H., C. & I. 424), 1933. Etching, drypoint and aquatint with handcoloring on wove paper, signed in pencil, with the blindstamp of the arti...

A striking limited edition op art serigraph by American artist Frank Rowland (1927-2012) in the hard edge style. An abstract geometric composition in red, orange, and yellow against ...

An untitled abstract woodblock print by Margaret Wenstrup (1930-2008) dated 1958. Wenstrup was a well-known Cincinnati, OH artist who graduated from ...

David Lance Goines Art Nouveau Lithograph - Velco Sports Bicycles 1790 Signed with David Lance Goines Mark and Signature. Berkley CA First Edition. Small marks on image (see pic). On...

Framed French Louis Vuitton Art Print in an Italian 19th Century Frame Louis Vuitton Print from Paris, France, framed in a one of a kind circ...

Lèger, Fernand, (French, 1881-1955): "Composition aux Dominos" Lithograph. Lèger was a French painter, sculptor, and filmmaker and was considered a forerunner of Pop Art. This lithog...

John Taylor Arms (American, 1887-1953) Arch of the Conca, Perugia etching, 1926 signed, dated lower right: John Taylor Arms, 1926 sight: 15 ¼ by 11 inches frame: 20 by 15 inch...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Louis Icart (1888-1950) artist that worked in America and France. This Erotic etching and aquatint printed with colour and with hand colour titled "SMOKE' (FUMÉE), 1926" showing a beautiful woman in a diaphanous gown reclining on a bear skin rug...

Art deco engraving circa 1925. Elegant lady with parasol and macaws. Signed Jean Hardy, French engraver, decorator and illustrator from the circle of the fa...

Antique Art Deco Louis Icart print titled "Manon" depicts a woman walking from a carriage. Embossed lower left L.I Paris 6 of 492, pencil signed lower right, framed in a beautiful go...