The Golden Triangle Antiquities

This jar would have served as a mortuary object (mingqi), placed in a tomb as a substitute for the more valuable bronze and lacquer vessels. Along with a variety of other funerary earthenware objects, attendant figures, and animals, richly decorated vessels of this kind were intended to serve the spirit of the deceased in the afterlife. Period : Han dynasty Type : Jar Medium : Earthenware Dimension : 28.5 cm(Height) x 11cm(Mouth Diameter) Condition : Good(Overall in well-preserved ancient burial condition with some soil still adhering (showing minor abrasions and wear due to prolonged burial underground) Provenance : Acquired in late 1990s from Hongkong * Han Dynasty Earthenware...

The vessel consists of a rounded cylindrical body, a gently curved upper section, and a small circular opening, suggesting that it was used for storing grain or valuable goods. Thre...

It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according...

This piece is an elephant statue made of green-glazed pottery. During the Han Dynasty, artworks depicting elephants were quite rare. However, such representations did occasionally appear. For example, the bronze vessel from the Han Dynasty housed in the Shanghai Museum is one of the notable examples of this type of craftsmanship. The existence of elephants in ancient China is attested both by archaeological evidence and by depictions in Chinese artwork. Long thought to belong to an extinct subspecies of the Asian elephant named Elephas maximus...

Han Dynasty green-glazed tripods are comparatively rare, especially ones that have retained their structural integrity and glaze over millennia. Pieces in good condition are scarce b...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

A massive Chinese Han dynasty Sichuan terracotta pottery figure of a horse Han dynasty (206 BC-220 AD) Powerfully modelled in a pose of alert attention, its strong neck and head pois...

A rare and attractive Chinese bronze "garlic head" vase with an encrusted patina, Western Han Dynasty, 206 BC - 25 AD, China. Of classic form, the bronze vase is set on a short, s...

A wonderful Han Dyansty (206 BC-200 AD) storage vessel. The circular body set upon three legs and fitted with a lid. The entirety covered in heavy leaded green glaze, imitating bronz...

A small Chinese terracotta tomb figure (Ni Yong) from East Han dynasty (25-220 AD), likely from the area of nowadays Sichuan. It depicts a sitting male wit...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...

A massive pottery horse with separately made head and tail, standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath i...