Three Centuries Shop Floor Lamps

An important palatial very fine and rare Italian 19th century florentine Rococo giltwood carved six-candle arms and twenty four-light chandelier, the...

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

A truly exquisite pair of 18th century Northern Italian torchère in painted and giltwood. The shades are pierced metal and polychromed. They are lined in a white silk.

Pair of chrome deco torcheres (floor lamps).

A pair of two patina bronze torcheres attributed to V. Paillard. Each modelled as a pair of putti holding aloft a large foliate shaft issuing eleven berried-acanthus scrolled branche...

An unusual and rare pair of ormolu and green marble eight-light torcheres/floor centerpieces attributed to E. F. Caldwell and Co New York. In the Empire style, the circular pierced f...

A Rare and Palatial Pair of Mid 20th Century Gilt Bronze and Malachite Six Light Torcheres The body of baluster form above a gilt bronze mounted circular and square base, the neck mounted with flowers and foliage leading up to seven tiered bronze acanthus arms. Malachite is a semi-precious stone and also a valuable copper ore, hydrous copper carbonate. It is a beautiful green earth stone with irregular black banding. It is easily recognized by its color, green streak, and silky or velvety luster. It was used to make beautiful jewelry and to adorn only the finest pieces of furniture. In the 18th and 19th centuries malachite was popular with Russian Czars...

Pair of Italian Rococo style (dated 1932) white alabaster 9 light floor torchiere with a carved urn with handles supporting 8 gilt carved arms all moun...

A pair of Figural Porte-Lumières, cast by Barbedienne from the celebrated Armand Toussaint Models Constructed in bronze, and having a patinated natural, and a highlighted gilt patin...

A late 19th century two-tone bronze lamp After Clodion Cast as a female figure from a bacchanale upholding a cornucopia lamp, on a bronze-mounted...

A Very Fine Pair of Late 19th Century Two Tone Bronze Nine Light Candelabra After Clodion After Clodion Each cast as a female and a male figure from a bacchanale upholding eight scroll branches with a central branch in the form of a quiver, on a bronze mounted circular base of granite. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

Impressive Louis XVI style torchere bases with up lighters. Beautifully hand-carved and gilded by hand using traditional methods in an antique finish.