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"Duality" by Leonor Fini
By Leonor Fini
Located in Hinsdale, IL
Leonor Fini
Duality
Edited for Volume I of “The Three Wise Men”
Zinc engraving on Arches, c. 1960
Edition 27 of 100
Published by Pierre and Genevieve Argillet in1960
Sheet siz...
Category
1960s Surrealist Abstract Prints
Materials
Etching
"The Star Thief" by James Rosenquist
By James Rosenquist
Located in Hinsdale, IL
James Rosenquist
(1933-2017)
Star Thief
Color lithograph on white wove paper, 1978-1986
Image size: 31.75” x 32”, full margins.
Impression 8 of edition of 25
Signed, titled, da...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Lithograph
The Proper Place
By Takesada Matsutani
Located in Hinsdale, IL
Takesada Matsutani: Biography and Printmaking Work
Takesada Matsutani (b. 1937, Osaka, Japan) is a Japanese contemporary artist best known for his involvement with the postwar avant...
Category
1970s Abstract Abstract Prints
Materials
Screen
"Lincoln Center" by Sol Lewitt
By Sol LeWitt
Located in Hinsdale, IL
SOL LEWITT
(1928 – 2007)
Lincoln Center
Color screenprint on Somerset Satin White,1998.
Sheet size: 35 1/2x28 inches, full margins.
Signed and numbered 73/108 in pencil, lower ri...
Category
1990s Abstract Geometric Abstract Prints
Materials
Screen
Joan Miro "Maravillas con Variaciones Acrosticas en el Jardin de Miro"
By Joan Miró
Located in Hinsdale, IL
JOAN MIRO
(1893 – 1983)
Maravillas con Variaciones Acrosticas en el Jardin de Miro
Lithograph in colors on Arches paper c. 1975
Signed in pencil by artist, lower margin
Impression...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
"Dusk in August" from the Portfolio of Nine
By Louise Nevelson
Located in Hinsdale, IL
NEVELSON, LOUISE
(1899-1988)
"Dusk in August"
Lithograph in colors, 1967
Signed, dated, titled, and numbered in pencil lower margin
This impression is XVIII/XX
Sheet Size: 17” x 22”
Published by Hollander’s Workshop with their blindstamp
This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg.
Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades."
Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue.
For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...
Category
1960s Abstract Expressionist Abstract Prints
Materials
Lithograph
Two Pears a Lemon and an Egg by Donald Sultan
By Donald Sultan
Located in Hinsdale, IL
DONALD SULTAN
(b. 1951)
Two Pears a Lemon and an Egg
Screenprint in colors on Arches 88 paper, 1994
Sheet Size: 22” x 23”, full margins.
Impression 67...
Category
1990s Abstract Expressionist Abstract Prints
Materials
Screen
"The New French Tools 2 - Three Saws from the Rue Cler"
By Jim Dine
Located in Hinsdale, IL
Jim Dine (b. 1935)
The New French Tools 2 - Three Saws from the Rue Cler
Etching, aquatint, and electric tools in colors on Arches paper, 1984
36 x 24...
Category
1980s Abstract Abstract Prints
Materials
Etching, Aquatint
"Composition Cinétique"
By Victor Vasarely
Located in Hinsdale, IL
Victor Vasarely
(1906 – 1997)
Composition Cinétique
Serigraph in colors on wove paper, 1970
29 x...
Category
1970s Op Art Abstract Prints
Materials
Screen
Broken Gray Bands in Four Directions by Sol Lewitt
By Sol LeWitt
Located in Hinsdale, IL
SOL LEWITT
(1928 – 2007)
"Broken Gray Bands in Four Directions"
Linocuts in colors on Somerset Velvet White paper, 2005
18 x 43-1/4 inches (45.7 x 109.9 cm) (sheet)
T.P. 2/2 (aside from an edition of 50)
Signed and numbered in pencil lower right
Published by Pace Editions, New York
Sol LeWitt was born on September 9th, 1928 in Hartford, Connecticut to Eastern European immigrants. LeWitt received a BFA from Syracuse University in 1949 (where he made his first prints) and then was drafted in the Korean War in 1951. During his service, he made posters for the Special Services and spent time in Japan, where he bought the first works that became the basis of a large personal art collection. In 1953, he moved to New York City, where he studied at the Cartoonists and Illustrators School (now the School of Visual Arts) and worked for Seventeen Magazine...
Category
Early 2000s Minimalist Abstract Prints
Materials
Linocut
Jim Dine "The First Woodcut Gate (The Landscape)"
By Jim Dine
Located in Hinsdale, IL
Jim Dine
The First Woodcut Gate (The Landscape)
Hand Embellished Woodcut, 1983
Size : 35.75” x 44.75” inches
Edition number 27 of 49 with 7 APs
Signed and dated in pencil
Printed ...
Category
1980s Abstract Abstract Prints
Materials
Woodcut
The New French Tools 3 (For Pep)
By Jim Dine
Located in Hinsdale, IL
JIM DINE
The New French Tools 3 (For Pep)
Etching, aquatint and electric tools on tan wove paper, 1984.
Image Size: 23 1/2 x 19 1/4inches, full margins...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Etching
"Grids and Color Plate #41" by Sol Lewitt
By Sol LeWitt
Located in Hinsdale, IL
SOL LEWITT
(1928 – 2007)
Grids and Color Plate #41
Silkscreen in colors on Arches 88 paper, c. 1979
Impression 8 of an edition of 10 wit...
Category
1970s Minimalist Abstract Prints
Materials
Screen
"Grids and Color Plate #43 " by Sol Lewitt
By Sol LeWitt
Located in Hinsdale, IL
SOL LEWITT
(1928 – 2007)
Grids and Color Plate #43
Silkscreen in colors on Arches 88 paper, c. 1979
Impression 8 of an edition of 10 wit...
Category
1970s Minimalist Abstract Prints
Materials
Screen
"Grids and Color Plate #44" by Sol Lewitt
By Sol LeWitt
Located in Hinsdale, IL
SOL LEWITT
(1928 – 2007)
Grids and Color Plate #40
Silkscreen in colors on Arches 88 paper, c. 1979
Impression 8 of an edition of 10 wit...
Category
1970s Minimalist Abstract Prints
Materials
Screen
"Sunglass Lens - Landing Net - Triangle" by James Rosenquist
By James Rosenquist
Located in Hinsdale, IL
JAMES ROSENQUIST
(B. 1933)
Sunglass Lens-Landing Net-Triangle
Original etching, 1974
Catalog #80
Sheet size: 19 1/2” x 35 1/4”
Edition number 11 of 80
Signed, numbered, and date...
Category
1970s Pop Art Abstract Prints
Materials
Etching
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Derrière Le Miroir No. 250 (page 20, 21) /// Modern Abstract Joan Miro Red Art
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JHM - II /// Bauhaus Abstract Geometric Josef Albers Screenprint Minimalism
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$14,000
H 26.5 in W 36.63 in
Art 1981 Chicago Poster /// Abstract Expressionist Robert Motherwell Modern Art
Located in Saint Augustine, FL
Artist: (after) Robert Motherwell (American, 1915-1992)
Title: "Art 1981 Chicago"
*Issued unsigned, though signed and dated by Motherwell in the plate (printed signature) upper right
Year: 1981
Medium: Original Lithograph, Exhibition Poster on Dove paper
Limited edition: 2,000. (There was also a signed and numbered edition of 150 on Arches Cover paper without margins or text)
Printer: Roger Campbell and Lee Funderburg of Tyler Graphics Ltd., Mount Kisco, NY
Publisher: Lakeside Group, Chicago, IL
Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap No. 249, page 247; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 282; "Tyler Graphics - Catalogue Raisonné, 1974-1985" - Tyler No. 410:RM29, page 246
Sheet size: 39.5" x 27.5".
Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition
Notes:
Printed in four colors: light tan, orange, deep red, and black. Poster produced for a special exhibition of various artists' work at the Chicago International Art Exposition, Chicago, IL from May 14-19, 1981. The image featured on this poster is Motherwell's 1977 collage "Untitled". This poster was the official poster for the 1981 Chicago International Art Exposition. Printer's imprint and artist's copyright lower center.
GIA Gallery Poster Disclaimer:
Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters.
Biography:
Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...
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Grove #1 /// Abstract Geometric Colorful Jay Rosenbulm New York Screenprint Art
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Artist: Jay Rosenblum (Americam, 1933-1989)
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*Signed by Rosenblum in pencil lower right
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Untitled from "Kinderstern" - Max Bill, Hard Edge, Color Field, Bright Colors
By Max Bill
Located in Köln, DE
Screenprint by Max Bill. From the portfolio "Kinderstern".
No Title, 1989
76 x 58 cm
Copy 61/100
Edition of 100 (approx.)
Category
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H 29.93 in W 22.84 in
Secret Admirer
By Mr. Brainwash
Located in New York, NY
Secret Admirer (Pink), 2013
Signed, numbered, with thumb printed (in verso_by the artist
4-color screenprint on hand-torn archival art paper
22.5 x 22.5 inches
Edition 15 of 70
Category
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Materials
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Souvenir, Howard Hodgkin: large scale black white gray abstract interior scene
By Howard Hodgkin
Located in New York, NY
Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract.
Paper 45 x 55 in. / 114.3 x 139.7 cm.
Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left.
This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle.
Catalogue reference: Elizabeth Knowles...
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Blue Composition by Andre Lanskoy
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This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...
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Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
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Located in New York, NY
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24 x 33.8 in. / 61 x 86 cm
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