Uultis Design Chaise Longues

Chaise lounge, teak, aluminium and fabric, The Netherlands, 1990s. This exceptional Dutch chaise longue features a seating area crafted from teak...

SACHA CHAISE - Modern Chaise Lounge in Camel Luxury Velvet The Sacha Chaise Lounge is a sleek and stylish piece of furniture designed for modern living s...

Showcasing a fluid silhouette crafted of bronzed cylindrical steel, padded in expanded polyurethane, and upholstered in vintage brown leather, this elegant chaise longue makes for th...

Expertly reupholstered and restored mid-century modern Wave Chaise Lounge in the style of Craft Associates Wave Chaise Lounge designed by Adrian Pearsall. Reupholstered in JF Fabric...

Indulge in the perfect blend of style and comfort with the original Milo Baughman Wave Chaise, reupholstered in luxurious kiwi green Italian calfskin leather. Its sleek, contoured de...

The Adrian Pearsall rocking "Wave" chaise lounge fully reupholstered in an Ana Elisabeth S5443 Arctic faux fur fabric. The walnut base has been professionally refinished and is in an...

A bronze and fabric cord chaise longue designed by Walter Lamb and produced by Brown Jordan, USA, c. 1955. Seat Height (inches): 12.25" Arm Height (inches): 17.13" All items ship ...

Inspired by the legendary 1970s, Denver has a shape whose design is clearly visible from the side. The chaise longue is composed of two elements: the...

Milo Baughman style wave chaise lounge with polished chrome pedestal base. Newly upholstered in tufted green velvet.

Lakkar Chaise by CEU L 8'10" x W 19.7" x H 25.6" The item is customizable by size Organic shaped slabs of wood are carefully assembled into a seemingly primitive day bed...

This striking chaise is long, lean and luxurious. A teak frame with lovely carved details and a woven cane support offers a platform for lounging, reading and relaxing. Made more comfortable by a beautiful woven quilted pad and pillow. This exceptional piece strikes a balance between antique and...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...