VW Home Vicente Wolf Wall Decorations

HENRY SCOTT R.S.A. British, 1911-2005 "Sea Battle, 'Shannon' engaging 'Chesapeake', 1st of June 1813" Oil on canvas signed lower left titled to the reverse on the stretcher bar ...

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

19th century Uzbekistani hand spun linen Suzani with silk embroidered floral motif and silk ikat border. Reverse side has original antique Fine hand printed cotton backing.  

Birds & Flowers of the seasons Pheasants & Plum in Snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

(1860 - 1939). Oil on canvas; 22 1/2" x 33 1/2". Ex. Joseph Edward trust, San Francisco, CA. Painter, muralist, photographer, Gremke grew up in San Francisco and began art studies at the School of Design under Raymond Yelland. He specialized in watercolors and oil of the Sierra Nevada and highly detailed floral still life. He also painted murals in the stations of the Santa Fe and Southern Pacific...

Large size woven camel's headdress featuring much detail with bright strong colors and multiple wool tassels. This piece is difficult to photograph without a camel as a model but it ...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

Early 20th Century Chinese Silk Embroidery ( 3' x 3' x 92 x 92 )

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...

Antique Uzbek wall hanging made of combination of hand embroidery Suzani squares, silk Ikat, antique velvet and other textile all together with decorativ...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

Shunga Unknown artist Meiji era, circa 1880 Hand-scroll mounted with 12 paintings Ink, pigment and gofun on silk Dimensions: Each image measures H. 23.2 cm x W. 34.4 cm (9.15” x 13.5”) The hand-scroll measures H. 28 cm x W. 540 cm (11” x 212”) A set of 12 late 19th century Japanese Shunga paintings mounted as a hand-scroll. Two of the leaves bear the signature and seal ‘Setsuzan’, although we are unable to confirm the identity of the artist using this art name. 6 of the 12 images are taken almost directly from Katsukawa Shuncho’s late 18th century woodblock series, ‘Erotic Pictures...