Want Art Gallery Still-life Prints

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...

Hand signed in red pencil and numbered. Dated in plate. Edition 14/50. On Arches Wove Paper. Excellent condition. Reference: Bloch n.443; Mourlot 86.

Shan Fannin's (US based) "1930 Indian Scout 101" is an limited edition giclée print that depicts a close view of a red Indian motorcycle gas tank w...

Shan Fannin’s 1967 Volkswagen Samba/Kombi Bus is an unframed limited edition giclée print on 230 gsm premium archival matte paper measuring 28 x 28 in (71.12 x 71.12 cm); image size ...

Shan Fannin's (US based) "1959 Cadillac El Dorado" is an limited edition giclée print that depicts a close up view of the baby blue fins and taillights o...

Shan Fannin's (US based) "1958 De Havilland Canada DHC-2 Beaver" is an limited edition giclée print that depicts close up view of the shiny metal propeller on a red and yellow vintage plane...

Abstract Composition is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwo...

Print/ Photography/ Limited edition of 15, proposal for a Vinyl cover, signed by the author.

"Untitled 1.16" Still Life Photography 35' x 24' in Ed of 10 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in ...

"American Guitar Small" Print 19 x 22 inch Edition of 400 by Steven Tyler Limited edition of 400 Plate signed by Steven Tyler Ships rolled in tube. ABOUT: As the lead singer of Ae...

"Queen Anne's Lace" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel that depicts a vase of wilted plants. About the a...

"Untitled 1.21" Still Life Photography 24' x 35' in Ed of 10 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in ...