Westland London Decorative Objects

A very fine 18th century alabaster copy of the Medici Vase, after the antique. Almost certainly made in Italy for a wealthy Grand Tourist and a faithful copy of one of the most renow...

A mid-19th century model of the Uffizi Boar, called 'Il Porcellino', by Austin & Seeley, the seated figure of the boar on an integral square plinth. This cast stone model of the Uffizi Boar takes its name from a 17th-century bronze fountain by sculptor Pietro Tacca, made for Cosimo II de' Medici and originally placed in the Loggia at the Mercato Nuovo in Florence. This civic space was also known as the Loggia del Porcellino, named after the boar as rubbing the statue's nose is said to bring great wealth. Made in the 1630s, it was modelled after an earlier marble version (Italian, 2nd-1st century BC) discovered in Rome in 1556 on the slopes of the Esquiline Hill, itself thought to be based on a lost Greek Hellenistic bronze version. After restoration, the marble statue was brought to Florence in 1568 as a gift from Pope Pius IV to Duke Cosimo I de’ Medici, initially placed in the Pitti Palace. Both this marble and the 17th-century bronze versions are now housed in the Uffizi Gallery in Florence. It remained an immensely popular subject for Grand Tourists, who collected their own versions. It is a testament to the commercial prowess of Austin and Seeley...

An exceptional pair of large alabaster lidded vases in the manner of Lorenzo Bartolini (1777-1850). The lidded urns of baluster form, are finely carved from translucent alabaster the...

A near life size carved marble figure of the Crouching Venus. This late 19th century copy of the iconic Hellenistic original bases its form on the crouching Venus on permanent displa...

A large Italian school carrara marble sculpture depicting a sleeping nymph. The finely carved sculpture is reminiscent of a depiction of Sleeping Ariadne, popularised by the Roman copy of the Hellenistic original, the former being housed at the Vatican. Reclining on rocks, the sleeping nymph is shown draped only below the waist, and her finely modelled form is exemplified by the delicacy of her fingers. Italian, early 19th century. Before restoration.

A fine Georgian walnut bracket clock by John Greaves of Newcastle (born c.1725 and active between 1745-94) with an eight day five pillar twin train fusee movement and anchor escapeme...

A pair of Chinese Ming Dynasty (1368-1644) sancai-glazed ridge tiles modelled as horse and rider. Both tiles are glazed in rich green and amber, the horses ...

A fine 18th century eight day bracket or table clock by Thomas Coxworthy, with a brass bound flame mahogany veneered case and silvered dial. The arched silvered dial has both Roman and Arabic numerals, which at its centre has the smaller calendar dial, and above, a strike/silent dial. The eight day movement has a verge escapement - a feature of early clocks...

A magnificent Aesthetic Movement mantel clock, with an ebonised mahogany case and an exquisitely painted dial. The case embodies the style of the Aesthetic Movement, with an arched a...

A pair of very finely carved 19th century alabaster figures of muses, in classical dress, each standing on circular pedestals intricately carved with flowers and beading, Italian, c....

A very large 19th century twin handled maiolica vase in the form of a wine krater. The exquisite hand painted decoration includes two central cartouches, one depicting Bacchus and Ar...