Woka Gallery Living Room Sets
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Adolf Loos Attr.
Thonet Original of the Time Jugendstil Seating Ensemble, 1920
By Gebrüder Thonet Vienna GmbH, Adolf Loos, Woka Lamps
Located in Vienna, AT
Four-legged structure made of solid beechwood, brown-stained; stool with applied textile added at a later date; professionally restored; signs of age and use; on the underside compan...
Category
Vintage 1920s Austrian Jugendstil Chairs
Materials
Beech
Original Viennese Jugendstil Ensemle, Secession Style 1905-Restored Carefully
By Woka Lamps
Located in Vienna, AT
An extraordinary Ensemble very carefully restored by an artist carpenter. Original upholstery
Category
Antique Early 1900s Austrian Vienna Secession Living Room Sets
Materials
Fabric, Wood
Original Otto Wagner
Kohn Jacob
Josef
Koloman
Kolo
Moser Ensemble, 1901
By Jacob
Josef Kohn, Koloman Moser, Otto Wagner
Located in Vienna, AT
As pioneer and master of the Modern, Otto Wagner seized the then rather new technique of bending wood for his furniture designs.
Occasionally These furniture are attributed to Koloma...
Category
Early 20th Century Austrian Vienna Secession Living Room Sets
Materials
Fabric, Bentwood
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Armchair by Josef Hoffmann for Jacob and Josef Kohn, Vienna
By Josef Hoffmann, Jacob
Josef Kohn
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Kohn catalog no 423
on the 1st picture chair which is already sold.
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Delivery time about 4-6 weeks
Lit.
Giovanni Renzi, Il mobile moderno, Gebrüder Thonet Vienna, Jacob & Josef Kohn, Milano 2008, S. 226; Julio Vives Chillida, Jacob & Josef Kohn, Catalogo (estratto) dei mobili in legno curvato, ca. 1912, o. O. 2008, S. 2, Nr. 423 F u. C.; Ausst. Kat. Josef Hoffmann und sein Kreis, Galerie Alt Wien...
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Josef Hoffmann. Armchair Designed for the 5th Viennese Secession Exhibition 1899
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Josef Hoffmann (1870-1956) designed for the 5th Viennese Secession exhibition in 1899.
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Important Living Room Set by Ludwig Alter Darmstadt Jugendstil, 1908
Located in Rome, IT
Exceptional and rare living room set composed by a table with four chairs, and sofà, a Book cabinet and Pedestal by Ludwig Alter, Darmstadt, Germany, 1908 circa.
Part of a living room ordered and executed in 1908 by Ludwig Alter for a noble family from Hesse-Darmstadt, Germany.
Original unrestored condition and step by step restoration detailed photo documentation available.
Macassar, solid and veneered. Amboyna, Macassar, abalone and white mother of pearl inlay, surface professionally repolished, solid Macassar support pillars mounted on Macassar veneered table base, twin Macassar spheres as legs, central pillar executed to the artistic level, highest quality cabinet making from Ludwig Alter, supplier to the Court of Ernst Ludwig IV the Grand Duke Hessen-Darmstadt and the famous Art Colony, Mathilenhöhe.” Furniture is in excellent condition. Ludwig Alter, between others was also commissioned by: Count Erbach-Schönberg in Schönberg, Count Solms-Laubach in Laubach, Count Isenburg zu Meerholz in Meerholz, Castle Gettenbach, Baron von Riedesel in Stockhausen, Baron von Riedesel zu Eisenbach in Eisenbach.
In the beginning of the 20th century, Darmstadt was an important centre for the art movement of Jugendstil, the German variant of Art Nouveaux. Annual architectural competitions led to the building of many architectural treasures of this period.
Provenance: private ownership, Darmstadt, Germany.
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Table 70 x 70 and 77 cm high
2 Armchairs 57 x 49 cm and 102 cm high. Seat height 47 cm.
2 chairs 44 x 44 cm and 94 cm high. Seat height 47 cm.
Book Cabinet/ Bookcase/Vitrine : 106 wide, 46 deep and 200 cm high.
Sofa : 155 wide, 70 deep and 47 cm seat hight.
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The Grand Duke Ernst Ludwig founded the “Mathildenhöhe Artist’s Colony” in 1900 and called the most important people of the time to Darmstadt and result was the collaboration between artist and artisan, between creative will and the technical ability of the workshops, an extremely fruitful work. The exhibitions of the artists' colony in 1901, 1904 - which were followed by more exhibitions in 1908 and 1914 - made a decisive breakthrough into something completely new and paved the way for a new furnishing art and for the first time directed the attention of the whole world to the growth of the young German art. The joyful willingness to make sacrifices of the companies and workshops that took part in this ideal task, the breakthrough in German Interior art towards independence, is reflected in the story and will always be remembered. And the chronicler will not forget the high share of the Ludwig Alter family in this service. Together with the artists: Patriz Huber...
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H 30.32 in W 27.56 in D 27.56 in




