WOLFS Nude Paintings

Jack Hooper "Green Nude 2" c. 1980s Acrylic paint on magazine page 9"x11.5", black wood gallery frame float mount 11"x14" Signed in pencil lower right Hooper's distinctive approach to artistry is exemplified by his ingenious use of acrylic paint on a magazine page, where elements of the original page subtly peek through the layers of vibrant color. This technique adds an intriguing depth to the composition, blurring the boundaries between reality and abstraction. Jack Meredith Hooper (August 26, 1928 - January 24, 2014) was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters...

A beautiful art deco portrait by well listed American Ashcan School artist Alexander Oscar Levy. This piece was featured in the American Art Review article about the Levy retrospect...

Gloria Dudfield Sitting with Green 1960's Gouach on paper 11"x17.5" unframed. Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her work in the San Fr...

Reclining Nude figure

Bay area figurative movement painting of the Archangel looking at Adam and Eve and the serpent standing near the Tree of Knowledge (Life), being expelled from the Garden of Eden; and...

A beautiful mid century nude figure study of a red haired woman standing with plants by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collec...

Shadow of Light - Nude Figurative Study with a Bottle of California Wine Abstract expressionist watercolor and charcoal painting depicting a nude woman lounging by acclaimed bluegra...

Wonderful abstract expressionist nude with heavy impasto of seated woman. Bay area find. Signed on verso "Swan," circa 1990. Unframed. Image size: 24"H x 18"W.

Nude in Landscape French Surrealist artist, mid 20th century oil painting on board, ornately framed frame: 40 x 31 inches board: 29 x 20 inches provenance: private collection, Paris ...

Part of Daniela Astone's series of figures in different ethereal and surrealistic spaces. "The Kiss" brings to mind Gustav Klimt's famous 1908 painting of the same name but instead of an abstracted gold background, Astone creates a mysterious creature enveloping and suspending the figure in mid-air. The dark monster looks ominous until you notice the nude figure leaning into her partner, her hands lightly caressing or leaning on the the amorphous creature. Her body is relaxed and her eyes closed. As a classical artist who paints the nude figure everyday, Astone is masterful at depicting women at ease in their natural bodies rather than women self-conscious of their nudity—posing but fearful of exploitation at the same time—a theme in art history that continues today. Some of the sweeping strokes of black are inspired by Japanese paintings techniques, and on the lighter areas there are rain drop falling from a blue-grey cloud in the background. 52.8 x 44.9 inches framed Artist Bio Daniela Astone was born in Pisa, Italy, in 1980 and raised in Porto Santo Stefano...

In this neoclassical oil on canvas signed and dated “Otto Bache 1864”, the artist depicts Psyche standing with her back turned to the viewer beside a red draped table. Her hair is arranged in a tight knot, secured with a hairpin adorned with two large pearls. She holds a light drapery that covers her legs, while the rest of her body remains nude. With her head turned toward the right, she gazes downward toward the table, where a blue gown or drapery lies, the garment she is about to put on. Her softly illuminated profile emerges as she turns in the light falling from the upper left, creating a striking backlight that heightens the contrast along the contours of her body. On the richly red draped table before her rest her jewellery and, to her left, a large amphora-shaped jug and a tazza bowl. The light descending from above to the left defines the composition with sharp contrasts between brightness and shadow, revealing the delicate modelling of Psyche’s form and lending the scene a quiet sense of introspection and grace. Exhibited: Winkel & Magnussen October 1915 no. 5, ill. p. 5. Otto Bache was born in 1839 in Roskilde, Denmark, and died in 1927 in Copenhagen. At the age of only eleven he was admitted to the Royal Danish Academy of Fine Arts in Copenhagen where he studied drawing and painting under the supervision of artists such as Wilhelm Marstrand. His early training gave him a basis in the Danish “Golden Age” tradition of realism and naturalism, but he went on to travel and extend his horizons. In 1866 he received an Academy travel-scholarship and went to Paris, then Italy (1867–68). The influence of Paris is often noted: his palette became richer, his handling freer, his light stronger, and his subjects broader. Later in his career, from around 1887, he held the post as professor and on various occasions director of the Royal Danish Academy. Bache’s early work reflects his rigorous academic training: careful drawing, subdued palette and interest in genre scenes and rural life. After his travel in Paris and Italy he adopted a somewhat more robust handling of color and light, but still remained essentially realist and narrative in approach. He painted portraits, animal and hunting subjects, genre scenes, and large history-paintings depicting key moments from Danish history. In particular, during the 1880s and 1890s when he was commissioned to execute large history canvases for the Museum of National History at Frederiksborg Castle and similar institutions, depicting events such as the exploits of Danish soldiers...

Seated Female Nude Figure in Oil on Canvas Beautiful modern impressionist figure painting of a seated nude woman by George Wishon (American, 1937-2005). The two-toned light blue and...