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Self portrait #10
By Cody Choi
Located in Deddington, GB
Cody Choi. Self portrait #10 - 30x40. is a self portrait during the time I shoot a commercial for Betfair in Latvia. This work will be sold with a signed certificate of authenticity....
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper

The 3rd day #16
By Cody Choi
Located in Deddington, GB
Cody Choi - The 3rd day #16 This image was taken at the 3rd time of Cody’s visit as a guest teacher at Tsoying High School in Taiwan- where most students are highly disciplined and t...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper

The 3rd day #6
By Cody Choi
Located in Deddington, GB
This is a limited edition printed black and white photograph depicting a dancer mid air. Cody Choi - The 3rd day #6 Edition of 300 This work will be sold with a signed certificate o...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper, Black and White

The 3rd Day 1
By Cody Choi
Located in Deddington, GB
The 3rd Day This image was taken at the 3rd time of Cody’s visit as a guest teacher at Tsoying High School in Taiwan- where most students are highly disciplined and technical, they u...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper

Monochromatic #03, Black + White Contemporary Minimalist Art, Brutalist Art
By Cristian Stefanescu
Located in Deddington, GB
Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...
Category

21st Century and Contemporary Minimalist Black and White Photography

Materials

Metal

Cristian Stefanescu, Monochromatic #02, Contemporary Black White Statement Art
By Cristian Stefanescu
Located in Deddington, GB
Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Metal

Michael Wallner, London Taxi, Contemporary Art, London Art
By Michael Wallner
Located in Deddington, GB
London Taxi [2017] Limited Edition Transport Brushed aluminium Edition number 25 Image size: H:56 cm x W:76 cm Complete Size of Unframed Work: H:56 cm x W:...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Metal

Tom Sullam, Flight I, Skyscape Painting, Aeronautic Art, Aeroplane Print
By Tom Sullam
Located in Deddington, GB
Tom Sullam Flight I Limited Edition Photography Edition of 25 Sheet Size: H 57cm x W 80cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Flight I is a contemporary print by Tom Sullam. The light, bright colours make for a piece celebrating the freedom of flying. The varying plane models fly in different directions, creating wonderful patterns. Discover new works by Tom Sullam available to buy online and in our art gallery. A protegé of the internationally renowned Hasselblad Master Charlie Waite...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Paper, Digital Pigment

Tammy Mackay, Gone, Dodo Art, Contemporary Print, Affordable Art, Monochrome Art
By Tammy Mackay
Located in Deddington, GB
Tammy Mackay Gone Limited Edition Photopolymer Print with Chine Collé Edition of 40 Image size: H:71cm x W:52cm Sheet size: H:75.3cm x W:57cm x D 0.1cm Sold Unframed Please note that...
Category

21st Century and Contemporary Photorealist Animal Prints

Materials

Paper, Pigment

Elephantis – Max Garner Reidy – Animal Art for Sale Online, RA Summer Exhibition
By Max Garner Reidy
Located in Deddington, GB
Max Garner Reidy Elephantis Limited Edition High quality Photographic print Edition of 40 Sold Unframed Image Size: Image Height 84.1cm (33.1″), Image Width 118.9cm (46.8″) This is a monochromatic limited edition photographic print by Max Garner Reidy Elephantis was a Bull Elephant, taken in South Africa, whilst on a safari. When greeted by a small group Elephants I couldn’t help but notice how small their tusks were. I asked the ranger, why their tusks are so small. He replied “Sadly in Africa the Elephant population is now made up, predominantly of Elephants with shorter tusks. This is a result of poachers, killing longer tusked Elephants, in order to feed the illegal Ivory trade. This results in an unnatural form of “natural selection”, whereby the Elephants most likely to survive long enough to reproduce, are those with short tusks.” My name is Max Garner Reidy, I’m a 20-year-old photographer from North West London. My work, ‘Elephantis’ was recently amongst those being exhibited in the Royal Academy Summer Exhibition...
Category

21st Century and Contemporary Black and White Photography

Materials

Photographic Paper

Flight II, Aviation Art, Aeroplane Art, Original Skyscape Painting, Tom Sullam
By Tom Sullam
Located in Deddington, GB
Tom Sullam Photography Flight II is a print of different planes flying in different directions. The picture is in negative (black) colours with the majority of the picture being da...
Category

2010s Contemporary Black and White Photography

Materials

Paper

Zebra Mother and her Foal – Max Garner Reidy – Animal Art for Sale
By Max Garner Reidy
Located in Deddington, GB
Max Garner Reidy Zebra Mother and her Foal Limited Edition High quality Photographic print Sold Unframed Image Size: Image Height 84.1cm (33.1″), Image Width 118.9cm (46.8″) This is...
Category

21st Century and Contemporary Black and White Photography

Materials

Photographic Paper

Rhinoceros – Max Garner Reidy – Animal Art, Photographic Art
By Max Garner Reidy
Located in Deddington, GB
Max Garner Reidy Rhinoceros Limited Edition High quality Photographic print Sold Unframed Image Size: Image Height 84.1cm (33.1″), Image Width 118.9cm (46.8″) This is a monochromati...
Category

21st Century and Contemporary Black and White Photography

Materials

Photographic Paper

Elephantis – Max Garner Reidy – Animal Art for Sale Online, RA Summer Exhibition
By Max Garner Reidy
Located in Deddington, GB
Max Garner Reidy Elephantis Limited Edition High quality Photographic print Sold Unframed Image Size: Image Height 84.1cm (33.1″), Image Width 118.9cm (46.8″) This is a monochromatic limited edition photographic print by Max Garner Reidy Elephantis was a Bull Elephant, taken in South Africa, whilst on a safari. When greeted by a small group Elephants I couldn’t help but notice how small their tusks were. I asked the ranger, why their tusks are so small. He replied “Sadly in Africa the Elephant population is now made up, predominantly of Elephants with shorter tusks. This is a result of poachers, killing longer tusked Elephants, in order to feed the illegal Ivory trade. This results in an unnatural form of “natural selection”, whereby the Elephants most likely to survive long enough to reproduce, are those with short tusks.” My name is Max Garner Reidy, I’m a 20-year-old photographer from North West London. My work, ‘Elephantis’ was recently amongst those being exhibited in the Royal Academy Summer Exhibition...
Category

21st Century and Contemporary Black and White Photography

Materials

Photographic Paper

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Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

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Ramunės no. 2
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Located in London, GB
'Ramunės no. 2' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. COA Included.
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2010s Abstract Geometric Black and White Photography

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Film, Photographic Film, Giclée

Ramunės no. 2
Ramunės no. 2
$410
H 12.6 in W 12.6 in D 0.2 in
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