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Erik Gunnar Asplund, “GA9” Wall Lights for ASEA, Sweden 1940s
By Erik Gunnar Asplund, ASEA, Hans Bergström, Lisa Johansson-Pape
Located in Munster, NRW
With its organically shaped blown glass shade, especially rare in this opaline frosted glass version, the GA9 resembles a floating droplet. Designed by Swedish architect Erik Gunnar Asplund, widely regarded as the godfather of Swedish modernism, this lamp embodies his signature geometric clarity and structural ingenuity. Like his Stockholm City Library, it balances simplicity with innovation. A bent arm holds the glass, while another secures the light source at the luminaire’s center. The black lacquered metal curves organically, contrasting with polygonal backplates—an interplay of geometry and fluidity that defines Asplund’s vision. The large, mushroom-like shades diffuse light in a soft, mesmerizing glow, enhancing the atmosphere beyond mere functionality. Asplund’s influence extended to Scandinavian design icons such as Alvar Aalto, Erik Bryggman...
Category

Vintage 1940s Swedish Scandinavian Modern Wall Lights and Sconces

Materials

Metal

Carlo Scarpa Poliedri Chandelier 1969 Murano Glass Light 110cm Mid Century Italy
By Venini, Carlo Scarpa
Located in Munster, NRW
Called "Poliedri" in Italian and known as "Polyhedral" in English, this design was created by Carlos Scarpa (1906-1978) for Venini when he was their art...
Category

Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Blown Glass

Venini Chandelier "Pastorale" 1972 Ludovico Diaz de Santillana Murano Glass
By Venini, Ludovico Diaz de Santillana
Located in Munster, NRW
You have the rare opportunity to acquire an absolutely stunning modern chandelier from the house of Venini, Italy. The magnificent model "Pastorale" with the catalog number 966 - wi...
Category

Vintage 1970s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Murano Glass

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A Pair of "GA9" Wall Lights by Erik Gunnar Asplund for ASEA, Sweden 1940s
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“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic ones shows Asplund’s great eye for design that was well ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surfaces, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...
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