Lc3 Grand Confort Chair

Superb set of four French chairs combining simplicity and elegance. Manufactured in the 1960s by the renowned publisher Robert Sentou in France for Charlotte Perriand, these chairs ...

Vintage LC1 chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand, circa 1928. Base in chromed tubular steel, pony skin upholstery. Marked/engraved on the frame: Le Corbusier LC1...

Le Corbusier' iconic 1928 design created with his collaborators, Pierre Jeanneret and Charlotte Perriand, the petit version of his "Grand Comfort" lounge chair, the LC2 features the ...

LC1 chair was designed by Charlotte Perriand, Le Corbusier and Pierre Jeanneret in 1928. Cassina bought the rights and started to produce these chairs around 1960. This particular ...

Charlotte Perriand, Pierre Jeanneret and Le Corbusier “LC7” dining chairs for Cassina, Cognac leather and steel, Italy, 1927, set of six. An icon with a...

Four Mid-Century "Dordogne" chairs in the style of Charlotte Perriand, 1960s. Wooden structure and straw coverings. 1960 approx. Dimensions 45x45x82 cm

Vintage wide lounge chair by Le Corbusier. Model LC3 in white cream Leather in very good vintage condition. Triple chrome plated steel frame. Manufactured by Gordon International. Al...

These are LC3 Fauteuil Grand Confort, Grand Modele Lounge Chairs, initially designed by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand in 1928. These examples date to 2006 and were produced in Italy by Cassina. The listed price includes one LC3, and we have three chairs available for purchase. They feature upholstery in aniline black leather and have four loose cushions that are composed of thick composite foam. The frames are nickel-plated steel, having nylon webbing on the seat to hold the cushions in place. Cassina uses...

This LC2 three-seat sofa in white leather was designed by Le Corbusier and produced by Cassina. It features a black colored tubular steel frame. The leather has some patina. Some...

A pair of Vintage lounge or club chairs in the style of Le Corbusier. Wide Model LC3 in Soft Black Leather. Triple chrome plated steel frame. Chairs shows little signs of use very co...

Charlotte Perriand, Pierre Jeanneret and Le Corbusier “LC7” dining chairs for Cassina, brown leather and metal, Italy, 1927, Set of two An icon with a versatile and functional soul,...

A pair of vintage original Le Corbusier, Perriand and Jeanneret LC2 Chrome and Ivory Leather lounge chairs for Cassina with labelled upholstery and serial numbers. The price shown is for both chairs. The LC2 chair, designed in 1928 by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, is a key piece in the evolution of modernist furniture. Originally part of a series created for the Villa Church (a private residence for a client in the Paris suburb of Ville-d'Avray), the LC2 epitomizes the collaborative spirit of the three designers. Its tubular steel frame and free form cushions marked a break from traditional designs, combining minimalist form with unexpected comfort. It was first presented in 1929 at the Salon d'Automne in Paris as part of a collection that would later be called the Equipement Interieur d’une Habitation (Interior Equipment for a Living). Alongside the LC2, the trio designed other iconic pieces, such as the LC1 Sling Chair, the LC3 Sofa, and the LC4 Chaise Longue. The LC4, in particular, is often considered one of the most innovative pieces in the collection, with its curved steel frame and adjustable reclining mechanism it was not just a chair, but a piece of furniture designed to enhance relaxation. As such it became a symbol of the modernist ideal—furniture that was as much about living comfortably as it was about making a design statement. The LC designs were created not just as individual works but as a broader vision for modern interiors, where furniture wasn’t just decorative but integrated into the living environment, serving both aesthetic and functional purposes. While the LC2 chair was part of this vision for the Villa Church, it wasn't designed specifically for that one space; rather, it was a part of an overall shift towards modernist furniture that transcended any one project. When compared to the Bauhaus metal chairs...