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Alberto Magnelli
Alberto Magnelli, Pasted Paper, from XXe Siecle, 1957
1957

Name: Alberto Magnelli, Pasted Paper, from XXe Siecle, 1957
Brand: Alberto Magnelli
Price: 1213.33 AUD
Availability: InStock
Rating: 4.9 (71 reviews)

697,95 €

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This exquisite lithograph by Alberto Magnelli (1888–1971), titled Papel colle (Pasted Paper), from the album XXe Siecle, Nouvelle serie, No. 9 (double), Juin 1957, originates from the 1957 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, 1957. Papel colle reflects Magnelli’s refined balance of geometric abstraction, rhythm, and lyrical structure. Executed as a lithograph and pochoir on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: Alberto Magnelli (1888–1971) Title: Papel colle (Pasted Paper) Medium: Lithograph and pochoir on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1957 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, No. 9 (double), Juin 1957, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, 1957 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagall’s reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Alberto Magnelli (1888–1971) was an Italian born pioneer of geometric abstraction whose visionary synthesis of structure, rhythm, and color established him as one of the central figures of modern art. A self taught artist from Florence, Magnelli began within the Italian Futurist movement before developing a lyrical and intellectual abstraction that bridged Cubism, Constructivism, and the postwar Nouvelle Ecole de Paris. His evolution was shaped by his encounters with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists whose innovations helped inspire his exploration of form and spirit. From Picasso, he learned the analytical construction of space; from Kandinsky, the spiritual power of abstraction; from Miro and Calder, the poetry of rhythm and geometry; and from Duchamp and Man Ray, the conceptual depth of visual thought. By the 1920s, Magnelli had moved beyond representation to create compositions of pure form and color, interlocking planes that evoke harmony and equilibrium rather than chaos or emotion. After moving to Paris in 1932, he became part of an avant garde circle that included Miro, Arp, and Taeuber Arp, and during World War Two, while exiled in Grasse with Miro and Arp, he produced his celebrated periode des pierres (“stone period”), a series of meditative abstractions that expressed calm and resilience through balanced geometric forms and luminous tones. In the postwar years, Magnelli emerged as a leading figure of European abstraction, his compositions growing increasingly architectural and musical, painted harmonies of shape and proportion that prefigured the minimalist and color field movements. He believed that abstraction could express universal truths through structure and rhythm, combining the intellectual rigor of Constructivism with the lyrical sensibility of spiritual modernism. Exhibited widely in the Venice Biennale, Documenta, and major retrospectives, his works entered the permanent collections of the Centre Pompidou, Tate Modern, Peggy Guggenheim Collection, and MoMA, where they remain celebrated for their timeless balance of clarity and warmth. Magnelli’s art influenced later generations, including Victor Vasarely, Ellsworth Kelly, and Sean Scully, who admired his fusion of geometry and emotion. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Alberto Magnelli endures as one of the great architects of modern abstraction, a visionary who transformed geometry into poetry and color into spiritual resonance. His highest auction record was achieved by Fleurs et coquillages (1931), which sold for 1260000 USD at Sotheby’s Paris on December 3, 2014, reaffirming Magnelli’s enduring legacy as one of the most refined, influential, and collectible abstract painters of the 20th century. Alberto Magnelli Papel colle, Magnelli XXe Siecle 1957, Magnelli Jacomet pochoir, Magnelli velin paper, Magnelli collectible print.

Creador:
Alberto Magnelli (1888-1971, Italiano)
Año de creación:
1957
Dimensiones:
Altura: 31,5 cm (12,4 in)Anchura: 24,52 cm (9,65 in)
Medio:
Litografía
Movimiento y estilo:
Cubista
Época:
1950-1959
Estado:
Ubicación de la galería:
Southampton, NY
Número de referencia:
1stDibs: LU1465216483622

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