Ir al contenido principal
Artículos similares a American Signs Portfolio
Robert Cottingham - CARTELES AMERICANOS (CARPETA DE 12)
CARTELES AMERICANOS (CARPETA DE 12)
Robert Cottingham - Arte, de la carpeta American Signs
Arte, de la carpeta American Signs
Robert Cottingham - M, de la cartera American Signs
M, de la cartera American Signs
Robert Cottingham - Caliente, de American Signs Portfolio
Caliente, de American Signs Portfolio
Robert Cottingham - Hola, de American Signs Portfolio
Hola, de American Signs Portfolio
Robert Cottingham - M
M
¿Quieres más imágenes o vídeos?
Solicita imágenes o vídeos adicionales al vendedor
1 de 10

Robert Cottingham
American Signs Portfolio

2009

Precio a petición

Acerca del artículo

ROBERT COTTINGHAM American Signs portfolio, 2009 The complete set of twelve screenprints in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) all signed, dated `2009' and numbered edition of 100 in pencil, published by Exhibit A Fine Art and Editions and American Images Atelier, New York, all in excellent condition, contained in original gray silk-covered box with artist and title embossed with gold foil. Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper, as a means of perfecting the tonal range between light and shadow. He often creates subsequent studies on paper using color. He finalizes the process by projecting either the original slide or any of the drawings onto a canvas and organizing the composition according to a grid. Another reason for Cottingham’s rejection of the Photorealist label is that he does not view his works as mere painterly translations of photographs or reproductions of reality. He has been known to change the words in his facades to alter the meaning of the subject. His primary interest lies in the subject matter—the urban American vernacular—rather than the deployment of a photo-based technique. After spending a period of time in London from 1972 to 1976, Cottingham found the city’s signs and history too foreign and removed from his own interests, and returned to the United States to settle in rural Connecticut. During the late 1970s and 1980s, his urban cityscapes became more expansive, with more complex and broader views of storefronts, vistas, and entire neighborhoods. In the late 1980s and early 1990s, Cottingham expanded his iconography of American vernacular culture to include trains and railroad imagery. More recently, he has focused on images of vintage typewriters, a subject that first interested him in the late 1990s. Cottingham taught at the Art Center College of Design, Los Angeles (1969–70), and the National Academy of Design, New York (1991). He was the artist in residence at Wesleyan University, Middletown, Connecticut (1987–92). His work has been included in significant group exhibitions, including Documenta, Kassel, West Germany (1972), and those at the Serpentine Gallery, London (1973); Centre national d’art contemporain, Paris (1974); Whitney Museum of American Art, New York (1978); a traveling exhibition at the National Museum of American Art (now Smithsonian American Art Museum), Washington, D.C. (1986); Samsung Museum of Modern Art, Seoul (2001); and Deutsche Guggenheim, Berlin (2009). Cottingham’s printed oeuvre was celebrated by a solo presentation at National Museum of American Art in 1998–99. The artist lives and works in western Connecticut.
  • Creador:
    Robert Cottingham (1935, Americana)
  • Año de creación:
    2009
  • Dimensiones:
    Altura: 101,6 cm (40 in)Anchura: 99,06 cm (39 in)
  • Medio:
    Pantalla
  • Movimiento y estilo:
    realista estadounidense
  • Época:
    2000-2009
  • Marco:
    Opciones de enmarcado disponibles
  • Estado:
    Individual prints also available.
  • Ubicación de la galería:
    New York, NY
  • Número de referencia:
    1stDibs: LU32617381072

Más de este vendedor

Ver todo
Arte, de la carpeta American Signs
Por Robert Cottingham
ROBERT COTTINGHAM Arte, de la carpeta American Signs, 2009 serigrafía en colores, sobre papel tejido, con márgenes completos, 101,9 x 99,4 cm (40 1/8 x 39 1/8 pulg.) edición de ...
Categoría

Principios de los 2000, Fotorrealista, Impresiones abstractas

Materiales

Pantalla

Arte, de la carpeta American Signs

Robert Cottingham
Arte, de la carpeta American Signs, 2009

3895 €
M, de la cartera American Signs
Por Robert Cottingham
ROBERT COTTINGHAM M, del portafolio American Signs, 2009 serigrafía en colores, sobre papel tejido, con márgenes completos, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) edición de 100 e...
Categoría

Principios de los 2000, Fotorrealista, Impresiones abstractas

M, de la cartera American Signs

Robert Cottingham
M, de la cartera American Signs, 2009

Precio a petición
Caliente, de American Signs Portfolio
Por Robert Cottingham
ROBERT COTTINGHAM Hot, de American Signs Portfolio, 2009 serigrafía en colores, sobre papel tejido, con márgenes completos 101,9 x 99,4 cm (40 1/8 x 39 1/8 pulg.) edición de 10...
Categoría

Principios de los 2000, Fotorrealista, Impresiones y múltiplos

Materiales

Pantalla

Caliente, de American Signs Portfolio

Robert Cottingham
Caliente, de American Signs Portfolio, 2009

Precio a petición
Hola, de American Signs Portfolio
Por Robert Cottingham
ROBERT COTTINGHAM Hola, de la cartera de American Signs, 2009 serigrafía en colores, sobre papel tejido, con márgenes completos 101,9 x 99,4 cm (40 1/8 x 39 1/8 pulg.) edició...
Categoría

Principios de los 2000, Arte pop, Más impresiones

Materiales

Pantalla

Hola, de American Signs Portfolio

Robert Cottingham
Hola, de American Signs Portfolio, 2009

Precio a petición
Blues, de la cartera American Signs
Por Robert Cottingham
ROBERT COTTINGHAM Blues, de la carpeta American Signs, 2009 serigrafía en colores, sobre papel tejido, con márgenes completos, 101,9 x 99,4 cm (40 1/8 x 39 1/8 pulg.) edición de...
Categoría

Fotorrealista, Impresiones abstractas

Materiales

Pantalla

Blues, de la cartera American Signs

Robert Cottingham
Blues, de la cartera American Signs, 2009

Precio a petición
Nite, de la cartera de American Signs
Por Robert Cottingham
ROBERT COTTINGHAM NIte, del portafolio American Signs, 2009 serigrafía en colores, sobre papel tejido, con márgenes completos, 101,9 x 99,4 cm (40 1/8 x 39 1/8 pulg.) edición de...
Categoría

Fotorrealista, Impresiones abstractas

Materiales

Pantalla

Nite, de la cartera de American Signs

Robert Cottingham
Nite, de la cartera de American Signs, 2009

Precio a petición

También te puede gustar

CARTELES AMERICANOS (CARPETA DE 12)
Por Robert Cottingham
Cada uno firmado a mano, titulado, numerado y fechado, en el margen inferior. Serigrafía en colores sobre papel tejido con márgenes completos. Tamaño de cada hoja: 38 x 37. Tamaño d...
Categoría

Principios de los 2000, Fotorrealista, Impresiones de paisajes

Materiales

Pantalla, Papel

CARTELES AMERICANOS (CARPETA DE 12)

Robert Cottingham
CARTELES AMERICANOS (CARPETA DE 12), 2009

21.207 € Precio de venta
Descuento del 30 %
M
Por Robert Cottingham
Firmado a mano, titulado, numerado y fechado, margen inferior. Serigrafía en colores sobre papel tejido con márgenes completos. Tamaño de la hoja: 38 x 37 pulgadas. Tamaño de la imag...
Categoría

Principios de los 2000, Fotorrealista, Impresiones de paisajes

Materiales

Papel, Pantalla

M

Robert Cottingham
M, 2009

2241 € Precio de venta
Descuento del 30 %
Blues, American Signs Portfolio, serigrafía, firmado 66/100 por Robert Cottingham
Por Robert Cottingham
Robert Cottingham Blues, del portafolio American Signs (firmado a mano por Robert Cottingham), 2009 Serigrafía en colores sobre papel tejido Firmado a lápiz, numerado 66/100, fechado...
Categoría

Principios de los 2000, Fotorrealista, Impresiones figurativas

Materiales

Pantalla

Blues, American Signs Portfolio, serigrafía, firmado 66/100 por Robert Cottingham

Robert Cottingham
Blues, American Signs Portfolio, serigrafía, firmado 66/100 por Robert Cottingham, 2009

2164 €
Blues, 2009 de American Signs
Por Robert Cottingham
Robert Cottingham Blues, 2009 Serigrafía en colores sobre papel tejido 38 1/4 × 37 in 97.2 × 94 cm Edición de 100 ejemplares De la serie American Signs Firmado a mano por el artista...
Categoría

Principios de los 2000, Impresiones y múltiplos

Materiales

Pantalla

Blues, 2009 de American Signs

Robert Cottingham
Blues, 2009 de American Signs, 2009

1298 €
Conjunto de Cuatro Fotografías Pop Art Color Cielo Azul Signo Americano Enmarcadas
Por Richard Heeps
Motel Pink Champagne, Wildwood, Nueva Jersey, 2013 Señal de Sundowner, Salton Sea, California, 2003 Cartel del Motel Roy's, Ruta 66, Amboy, California, 2001 Swim-in-Pool Supply Co. L...
Categoría

Siglo XXI y contemporáneo, Arte pop, Fotografía en color

Materiales

Papel fotográfico, Impresión C, Color, Gelatina de plata

Conjunto de Cuatro Fotografías Pop Art Color Cielo Azul Signo Americano Enmarcadas

Richard Heeps
Conjunto de Cuatro Fotografías Pop Art Color Cielo Azul Signo Americano Enmarcadas, 2001-2013

3272 €
BLUES
Por Robert Cottingham
Firmado a mano, titulado, numerado y fechado, margen inferior. Serigrafía en colores sobre papel tejido con márgenes completos. Tamaño de la hoja: 38 x 37 pulgadas. Tamaño de la imag...
Categoría

Principios de los 2000, Fotorrealista, Impresiones de paisajes

Materiales

Papel, Pantalla

BLUES

Robert Cottingham
BLUES, 2009

2241 € Precio de venta
Descuento del 30 %