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Fashion For Sale
Search Within: Veil
Fuschia and Black Silk Flower Topper
Located in New York, NY
Dramatic Fuschia and Black Silk Flower Topper or Fascinator from the late 1930's. Large silky blooms perched on a tiny cap with self fabric wire covered hoop, elastic band and front silk veil...
Category

1930s American Fashion

1950s Irina Roublon Silk Floral Trim Black Straw Hat W/ Velvet Ribbons
Located in Gresham, OR
This superb couture 1950s Irina Roublon multi-color, silk floral trimmed hat is a hand-made beauty. Multiple layers of lacquered black veiling make up the body with a soft-peaked cro...
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1950s American Fashion

Mazzuchelli Vintage Sartorial Hooded Dress w Beading
Located in Milano, IT
Particular vintage sartorial dress by Mazzuchelli from the 1980s, made in Italy. The dress is totally handmade in a light ivory cotton. It is believed that the dress may be a bridal ...
Category

1980s Italian Fashion

1950s Mr John Couture Black Crepe Shift Dress and Jacket
Located in London, GB
This two-in-one little black dress and jacket is by Mr John, a celebrated American couturier and one of the foremost milliners of the 20th century; his most famous costume designs being those made for Vivien Leigh in "Gone with the Wind," Marlene Dietrich in "Shanghai Express," Greta Garbo in "The Painted Veil" and Marilyn Monroe in "Gentlemen Prefer Blondes." Among the fashionable women who wore his designs were the Duchess of Windsor, Gloria Swanson, Gloria Vanderbilt, Lauren Bacall and Joan Crawford. The New York Times review of his 1956 fall clothing and accessories collection was "a gifted designer and skilled workman who produces some of the most original, wearable, flattering fashions to be seen anywhere." This evening ensemble was designed in 1956-1959 and tailored to an elegant silhouette with a nipped-in waist and mid-calf length skirt. Thick straps give way to a square neckline trimmed with layers of silk faille. A silver-tone zip and a hook-and-eye clasp secure the gown at the rear and a slit at the bottom hem of the skirt allows for easy movement. The bolero jacket is attached to the dress with large crystal-adorned buttons at the front. It is trimmed with silk faille at the collar and waist. Two pleated tails fall from the rear waist down the length of the skirt, adding a hint of theatre and taking cues from menswear traditions, in particular classic morning jacket...
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1950s American Fashion

Glamorous Don Marshall Silk Satin Turban
Located in New York, NY
Glamorous Don Marshall "open" turban in graphic white, black and salmon silk satin from the 1940's. Essentially designed as a padded roll, with a slight point at center front. Black...
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1940s American Fashion

Pink Silk Floral Bridal Coronet Hair Garland Cocktail Hat – One Size, 1950s
Located in Tucson, AZ
If a traditional wedding veil or cocktail hat is not your style, consider a floral coronet: slightly more bohemian in flavor, they remain ultra-feminine a...
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1950s Unknown Fashion

A carved Bakelite framed golden velvet handbag, France, 1920s
Located in Greyabbey, County Down
A charming and highly decorative handbag, made from golden/amber silk velvet, which has a veil, or netting, layer over the top , giving a delicacy and depth to the handbag. Topped w...
Category

1920s French Fashion

Rutina Wesley s Lavender Cream Paul Campbell Couture Wedding Gown circa 2005
Located in Los Angeles, CA
This whimsical wedding ensemble is the property of True Blood star Rutina Wesley and her marriage to actor Jacob Fishel in 2005. She was a student at Julliard when she purchased this custom made piece from designer Paul Campbell. The dress is composed of a lavender and cream lace overlay low back puka shell trimmed bodice with a tiered cream layered satin skirt with lavender trim. The ensemble includes a matching puka shell and pearl headpiece...
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21st Century and Contemporary American Fashion

Fashion: Shop Vintage Clothing, Haute Couture and More

Fashion is littered with stories we can’t help but consume with voracity. Behind the world’s revered luxury houses and designers, there are often accounts of modest beginnings that gave way to the resonant work we’ve cherished all of our lives.

Gabrielle “Coco” Chanel learned to sew under the tutelage of nuns in an orphanage. Later, as an impoverished teenager at a boarding school in central France, clad in the drab clothes of the underclass compared to those of her classmates, she furthered her needlework skills. By the early 1900s, she was helming a hat shop with help from her sister and her aunt.

Chanel made spare, unadorned hats at first, and the now-momentous “little black dress,” published in the form of a sketch in Vogue in 1926, symbolized her intention to design for all social classes. Working with simple lines and ordinary fabrics, Chanel created garments that she hoped would encourage women to leave extravagant clothes behind. The young milliner would soon become pivotal to the evolution of both covetable casual wear and handmade high-fashion apparel, building a brand that has influenced countless designers all over the world.

“Fashion is not something that exists in dresses only,” Chanel said. “Fashion is in the sky, in the street; fashion has to do with ideas, the way we live, what is happening.”

Around the same time, a young former hotel bellboy named Guccio Gucci began to sell imported leather luggage from a small retail space in his native Florence, and it wouldn’t be long before he was overseeing a number of artisans who were making leather goods and other accessories. With the help of his sons, he opened a second shop in Rome and later launched his handbags, wallets and more.

There are people like Chanel and Gucci, sometimes of meager means, working in near obscurity to create lasting and innovative garments and accessories that today fill the interiors of our favorite boutiques and, ultimately, the closets of our home.

There are family-owned luxury-goods companies, such as Hermès in Paris, which began as a saddle manufacturer in the 1800s, serving the era’s carriage trade before it would expand to include venerable handbags as well as its numerous silk scarves, each emblazoned with a richly decorative design.

For many of us, the narratives behind the ornate monograms that adorn these iconic works are just as important as the items themselves.

Haute couture from the House of Chanel — practical, form-fitting evening dresses and menswear made of fine tweeds — has a long lineage, but now it’s earned a legitimate place in museums as often as it has in the homes of modern marquee influencers. Vintage Yves Saint Laurent leather clutches and handbags couldn’t have aged better over time, either. The French luxury fashion label’s long history of vibrant, gender-blurring designs, including the revolutionary Mondrian minidress in 1965, owe to the creative inclinations of a young Yves, who made paper dolls as a child and designed dresses for the women in his family by the time he was a teenager.

The appeal of vintage and designer clothing — whether it’s nostalgia for ’80s fashion treasures like oversize blazers or the bright and elaborate patterns that characterize sundresses of the 1960s — endures, and our appetite for irreplaceable garments as well as their riveting origin stories won’t recede anytime soon. An authentic handbag or purse from Hermès isn’t merely durable and alluring. The Birkin, for example, is hand-sewn according to Hermès’s centuries-old saddle-stitching technique, comes in a variety of exotic leathers and is also a savvy investment.

“The Birkin’s value has consistently risen and never fluctuated downward,” says Reece Morgan, head of handbags and accessories for Xupes, citing the fact that “production has been highly limited to maintain its unattainable aura.” In fact, he adds, Hermès has been “scaling back production each year.”

Today, we’re captivated by the work of prodigious Illinois-born talent Virgil Abloh, who not only triumphed in the fashion world with his Milan-based streetwear label Off-White, but was also a visual artist, a furniture designer and more. In 2018, Abloh, who learned about fashion from his seamstress mother, became one of the first Black designers to head a French luxury fashion house, having secured an artistic director role at Louis Vuitton.

“His clothing turns wearers into accomplices of his grand artistic scheme,” Michael Darling, the chief curator at Chicago’s Museum of Contemporary Art, wrote of Abloh’s work.

On 1stDibs, you can revel in the stories behind the fashion we love and browse everything from classic, one-of-a-kind gowns crafted by Parisian couturiers to stylish, modern streetwear designed by forward-looking brands. Shop 19th-century Louis Vuitton trunks or kaleidoscopic and colorful 1960s skirts by Emilio Pucci or edgy ensembles by visionary designers like Azzedine Alaïa. Your fashion journey begins right here.

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