Vintage Issey Miyake Avantgarde Futuristic Silver Runway 1984 Japan Sunglasses

The avant-garde Japanese fashion designer Yohji Yamamoto has said, “dirty is good.” These three words capture the eccentric designer’s love of a dark and disheveled — yet dapper — look. A master tailor with a distinctive style, he creates everything from coats and jackets to day dresses and evening gowns.

Yamamoto was born to a World War II widow in 1943. By the time he was 26, he had a law degree from Keio University and a fashion degree from Bunka Fashion College. In 1969, he won two Japanese fashion awards — the Endo Award and the Soen Award — which included a round-trip ticket to Paris. 

It was in the French capital that Yamamoto realized the fashion world was changing. A casual aesthetic was replacing formal and classical sensibilities. He soon set up his first label — Y’s — and embarked upon designing heavy-duty sportswear.

Yamamoto launched women’s collections in 1977 in Tokyo, in 1981 in Paris and in 1982 in New York. Their pieces loosened the traditional female clothing silhouette in favor of shapes more typical of menswear: simple cuts, minimal details and generous proportions. In 1983, the New York Times wrote, “Yohji Yamamoto may stand barely five feet tall, but his effect on world fashion in the last two years has been enormous.”

In 1984, he made his first foray into men’s fashion under the Yohji Yamamoto label. In 1994, he was awarded the Ordre des Arts et des Lettres by the French Minister of Culture and, in 2002, he became the creative director of Adidas’s Y-3.

Yamamoto’s fashion has been the subject of exhibitions around the world, including “May I help you” in 2002 at the Maison Européenne de la Photographie in Paris, “Correspondences” in 2005 at the Gallery of Modern Art in Florence, Italy, and “Painting and Weaving Opportunity” in 2017 at Tokyo Opera City Art Gallery. In 2017, he received the DFA Lifetime Achievement Award.

On 1stDibs, find vintage Yohji Yamamoto clothing, accessories, handbags and more.

From the prismatic Pleats Please collection to the modular, three-dimensional garments crafted from recycled plastic bottles in his Reality Lab, the captivating fashions by Japanese designer Issey Miyake are all about movement.

Born in Hiroshima, Miyake studied graphic design at Tama Art University in Tokyo before relocating to Paris in 1965, where he studied couture and cut his teeth working for Guy Laroche and Hubert de Givenchy. In 1969, he moved to New York, where he worked for Geoffrey Beene. He returned to Tokyo in 1970 to found his first solo venture, the Miyake Design Studio. It wasn’t until the 1990s, though, that the designer had his breakthrough moment with experimentations in pleating. Some of his earliest explorations were for choreographer William Forsythe’s Frankfurt Ballet Company, with the 1991 performance of The Loss of Small Detail featuring costumes Miyake designed with pleats that complemented and transformed the movement of the dancers.

Though long a staple in couture — from delicate women’s skirts to men’s suit pants — pleats took on new life in Miyake’s hands. By using a heat press to cure his fabrics after his garments are stitched, Miyake was able to maintain the accordion structure of the pleat, turning a series of folds into sculptural, often futuristic forms unbound by the shape of the human body. In 1993, Miyake debuted “garment pleating” in his Pleats Please line, in which the clothes are constructed at a size that is larger than what is intended for the finished product. The pleats are then created — a process that involves folding and ironing and is separate from the joining of seams — and individual pieces are subsequently hand-fed into a heat press. The pleats are permanent and the garments can be worn and washed without losing their shape.

Miyake’s pleats run the gamut in scale, which enabled him to evoke dramatic, sharp silhouettes and flowy movements in equal measure. In essence, he created an entirely new material whose iterations are infinite — a feat of technology as much as fashion.

Other innovations include Miyake’s 1997 Just Before collection, which introduced a series of tube-knit dresses that could be cut as desired, reducing both work and resources. His Reality Lab now investigates new materials, such as a fully recycled polyester. Miyake’s prowess, in fact, captured another iconic figure in the tech world: Steve Jobs, for whom the designer made hundreds of identical black turtlenecks, the late Apple founder’s sartorial signature.

Find a collection of vintage Issey Miyake day dresses, jackets, shirts and other clothing on 1stDibs.