Balmain Rhinestone and Zipper Dress

Red, baring and slinky, this Dolce & Gabbana minidress is designed to command attention. When it debuted in the spring/summer 2003 runway show on supermodel Gisele Bündchen, it led Vogue’s Sarah Mower to write, “power-womanhood is not extinct on planet Fashion.” And when Steven Meisel focused his lens on it for the season’s ad campaign, it became iconic—and highly collectible. Cut from a luxurious stretch viscose jersey, this LRD is crafted to drape beautifully on the body and accentuate its every move. Rather than hug every curve, it has an easy blouson top (that is even more full at the back) to leave more to the imagination and to balance the revealing deep V at its sides and the short skirt. Coordinating spaghetti straps and drawstrings funneled through a middle panel of the dress allow the wear to customize the fit and length. Wear the piece without or with the stunning ruched arm bands...

Vintage and New Tom Ford *Broken Mirror* Lace Faceted Crystal Embellished Dress Gown Tom Ford's First Womenswear Collection for his Eponimous Label Debuted in 2011. Italian size 42 S...

Vintage Lillie Rubin ribbed knit dress. A gorgeous fiery shade of orange. Metallic gold lurex thread throughout. Vneck collar long sleeves. Gold piping along neckline &am...

Lillie Rubin cocktail dress. red and white polka dot print. strapless boned sweetheart bodice. gorgeous pleating throughout. origami ruffle hem. back zip closure. dress is lined. ❊ ...

Rei Kawakubo designed this translucent salmon-pink bias-cut satin sleeveless maxi dress evening gown for her brand Comme des Garcons, which debuted on a model at Paris Fall Fashion Week as "Look 12" among the Vogue photo-coverage of her Spring/Summer 2000 collection (see our last photo of the ensemble). The unusual V-neck shape creates a deep central drape in the front of the unlined dress that prevents the synthetic semi-transparent fabric from clinging to the torso. To continue to flatter the curvy shape of the lower body like the bias-cut enables, such as while walking, Kawakubo added an additional piece of fabric with a circling angular seam that rises from the wider hem. With the exception of the brand tag, all others were cut off by the sole owner to eliminate bulk and visibility through the dress. If the buyer would prefer, the fabric can be made shinier and completely smooth with professional pressing. If the buyer would like to create a layered ensemble with this gown as seen on the runway, we have other textural colorful tops to choose from with over-dyed unique appliques from this same Spring/Summer 2000 collection. However, we think our backless-mannequin photos show that this minimal dress...

Enjoy this item as part of our Holiday Sale, for one week! Verlaine Vintage is delighted to offer a stunning Chantal Thomass vintage ensemble consist...

Enjoy this item as part of our Holiday Sale, for one week! Jacques Heim 1960's wedding dress. A breathtaking vintage ivory lace wedding dress by "Les Mariées de Jacques Heim," orig...

Enjoy this item as part of our Holiday Sale, for one week! Christian Dior by Gianfranco Ferre spring summer 1994 runway black silk evening dress. A white version was presented on th...

For his design mentor Rei Kawakubo's Japanese brand Comme des Garcons, Junya Wantanabe made this inimitable semi-transparent white taffeta floaty ruffled-V-neck sleeveless pullover dress with distinct parachute elements, cutwork, and adjustable ruching and draping as "Look 1 and 2" (see photos) for the Parisian fashion show debut of his Spring/Summer 2003 collection. The stunning combination of contrasts range from romantic-to-combat themes, gathered-to-flowing construction, raw-to-finely-finished edges, soft-to-hard materials, and gossamer-to-dense textural fabrics. Secured on the exterior of the dress with bold silver-tone metallic hardware, the parachute-like 100%-cotton grosgrain straps are mostly enclosed within multiple diagonal and vertical ruched channels to enable symmetrical or asymmetrical draping and lengthening of the thin synthetic fabric into multiple swags. Strap ends can freely hang from the functional hardware on the front of the dress and below its sides--as if they could be yanked to release the fabric into a drifty parachute sail. With the potential to be a stunning formal overlay if worn with a minimalist wedding gown or long skirt, the reverse side of the voluminous dress is equally remarkable for its ruffled diamond-shaped cutout at the lower back, where it is intersected by a trio of linked thick straps that are secured to a looped ruched channel. This creates an elongated bustle with a dramatic central 19-inch slit between the two swags that each extend 43 inches below the outer shoulder hem. This premiere-catwalk dress is distinguished from others in Wantanabe's "Parachute Jumper" collection by the complexity of its top. Two ruched straps form an X-shape via silver hardware at the upper back, extending to the front over the shoulders to form an adjustable face-flattering ruched V-neck with silver-hardware-linked narrow straps. The soft folds of the neckline contribute to the raised ruffle collar, as well as flow to the shoulder seams. The hand-cut hem was designed unfinished and meant to fray, although it has not given its minimal wear and very good condition consistent with only age and storage. See our photos of the care/material tags. All tags remain, including from the Italian concept-store 10 Corso Como, where it was purchased in Milan. The "Made in Japan" size is a large-running "S" due to the pullover and adjustable style of the dress, which is equivalent to an Italian-size 44 or U.S.-size 6. Beyond a convertible dress...

In the 1990s, French Thierry Mugler (1948-2022) designed this haute-couture labeled and numbered corset-style topstitched zigzag-panel ecru 100%-cotton-denim cocktail dress, which is...