Black Silk Velvet Gold Bouillon Beaded Opera Coat w Blue Silk Lining-S-M, 1920s

This deconstructed wrap coat is a case study in minimalism, which would have been the perfect foil for a lavishly-beaded, boy-cut chemise dress. The attached neck sash is purposely f...

Halfway between a kaftan and a maxi coat, this sheer topper makes up in glamour what it lacks in warmth. The repeating floral pattern consists of clear bugle beads that catch and reflect light, while the hollow gold balls at each flower's center create evening-worthy shimmer. This single garment has the power to elevate the humblest outfit and would be a perfect travel or resort piece; it could even be worn as a bathing suit cover up! Collarless sheer beaded kaftan...

Eye catching for its liquid draping, open back and dramatic train, this gown is an unmistakable reminder of Hollywood’s Golden Age, when decency laws left designers scrambling for wa...

A regal piece of outerwear whose weight belies its warmth, this exquisite silk velvet mantle is as pleasing to the eye as it is to the touch. Vertical ruching creates drape and texture enough for it to hold its own when paired with drop waist flapper dresses or glamorous evening gowns...

This three-quarter length black velvet persian coat was printed with metallic paints with Venetian glass buttons and silk loop closures at the center fr...

Circa 1937 France for Export United States or England Long evening coat in black silk velvet, scarf to tie on the collar closed by two large rhinestone buttons, duchesse satin lining, Labelled Reproduction Lucien Lelong, Paris. This is a license model for export to England or the United States. Some very slight damage to the satin lining at the claw and collar, otherwise clean and flawless. Very good condition of color and conservation. Dimensions: equivalent size 38 France. Height 128 cm, shoulders 38 cm, collar 41 cm, chest 90 cm, waist 84 cm. Lucien Lelong (1889-1958) is a key figure in the history of French haute couture. He designed his first collection in 1914 and took over the family business in 1919 to become successful in the 1920s. In 1934 he launched the first ready-to-wear collection under the label "Edition". Installed at 16 avenue Matignon in Paris, he created in 1925 the "kinetic" silhouette, i.e. a supple, modern, dynamic line. He was the first to imagine, a decade later, the luxury ready-to-wear and to think of the unity of a production from clothing to accessories and perfumes, considering fashion as much in its aesthetic dimension, as in its industrial and commercial dimension. That same year, he made his first trip to the United States. President of the Chambre Syndicale de la Haute Couture from 1937 to 1945, he trained Christian Dior, Robert Piguet...

1920S Black Silk Satin Coat Trimmed In Shaggy Fur

Black velvet opera coat featuring a ruched collar and wrists. Loose fit with curved front hem and balloon sleeves. Single rhinestone button closure. White satin lining.