Uzbek Coats and Outerwear

A beautiful late 19th Century silk woman's robe from the Fergana Valley region of Uzbekistan, Central Asia. The robe is in a traditional silk Ikat pattern displaying shades of green...

Late 19th century, early 20th century Uzbekistan Women's ceremonial kaftan in raspberry silk damask embroidered in gold with crowned eagles with two-headed heads. High-waisted long ...

A beautiful late 19th Century silk robe from Central Asia (likely Uzbekistan region) in a traditional Ikat pattern displaying shades of purple, aubergine, red and green. It is lined in a red and white cotton floral with banding in blue, red and purple with an unexpected 'splash' of chartreuse. This special piece is from the estate and private collection of Peggy Slappey, a well traveled lady who passionately collected textile art from Central Asia. Part of Ms. Slappey's extensive collection was exhibited in 2016 at the Birmingham Museum of Art. Ms. Slappey once expressed her fascination with the Ikat robes...

A beautiful late 19th Century silk robe from Central Asia (likely Uzbekistan region) in a traditional Ikat pattern displaying shades of purple, peacock blue, yellow (almost chartreuse), ruby red and silvery gray all trimmed in red cotton banding with a few well placed tassels and lined in quilted cotton ticking. This special piece is from the estate and private collection of Peggy Slappey, a well traveled lady who passionately collected textile art from Central Asia. Part of Ms. Slappey's extensive collection was exhibited in 2016 at the Birmingham Museum of Art. Ms. Slappey once expressed her fascination with the Ikat robes...

Circa 1920 Uzbekistan Elegant evening or indoor coat in weaving with shiny silk, fuschia cotton and lamé of golden threads originally from Uzbekistan in Central Asia. Wide and flared masculine cut with small Mandarin collar and long sleeves which were pleated à la Mameluck. This evening coat, bathrobe or Banyan evokes secularly the models worn by European aristocracy in the 18th century, the festivals of Paul Poiret or costumes of the Ballets Russes, playing exoticism as a foil. Drawing of the background in imitation of 17th century Ottoman velvet and brocade, composed of large medallions imbricated with stylized pomegranates, with divine and sacred virtues, which is the most represented fruit in the history of the Decorative Arts. Playing on contrast, a white cotton Russian lining printed with blood-red diamonds covers the inside of the coat, which gives it great flexibility in movement. Note a dozen tiny spots inside the lining (less than 0.8 cm) and a spot above 0.5 cm which merges into the shine of the gold lamé. No other faults, solid and wearable structure today. Very good condition of color and conservation. Dimensions: Equivalent French Men Size 40...

Circa 1900/1920 for cutting 19th century for cotton and silver brocade Uzbekistan Rich coat in silk jacquard and brocaded cotton with silver threads from Uzbekistan - Bukhara around 1900. Loose fit and pyramidal long sleeve. Large woven decor...

1990S Multicolor Hand Woven Silk Ikat Duster Made From Antique Fabric

1920S Cotton Antique 18Th Century Uzbekistan Ikat Zigzag Woven Chapan Rope With Floral Lining Reshoot

This piece is in phenomenal and strong wearable condition for its age. The art nouveau cotton lining is very clean with no large stains nor oder. Fully hand quilted with a cotton bat...