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British fashion designer Lee Alexander McQueen, the original creative engine behind the Alexander McQueen label, was beloved for his expert tailoring and theatrical runway shows. After his suicide in 2010, fans left tributes to the man and his talents outside Alexander McQueen boutiques worldwide. Record-breaking crowds visited the posthumous retrospective of the designer’s work at the Metropolitan Museum of Art in New York City and the Victoria and Albert in London.

The inspirations for vintage Alexander McQueen bags, dresses, jackets and other items came from many quarters — film, music, current events, history, his heritage and fashions of the past. The designer's runway presentations were not just displays of clothing but were personal expressions of the zeitgeist, often touching on our cultural anxieties and concerns. McQueen’s own thoughts and feelings about love, death, gender, genocide, colonialism, global warming and the extinction of species all appear in his pieces.

McQueen certainly shook up fashion; he was a born Rottweiler. His upbringing on a council estate in north London played a part, but his family was close and supportive, not dysfunctional. He was proud of his Scottish heritage: He was a defiant fashion warrior. His historical themes and shows — such as “Highland Rape,” 2002, which was inspired by England’s “rape of Scotland,” as McQueen called it — always invoked powerful reactions from his audience of fashion pros.

“What you see in the work is the person himself. And my heart is in my work,” McQueen told Harper’s Bazaar in 2007.

It is perhaps this heart, and the heart’s exposure, that drew the crowds and made McQueen's creations both popular and emotionally resonant. Because the work was personal and thus layered with feeling, the motifs — decorative embellishments and fabric choices — have meaning. In other words, in McQueen’s oeuvre, plaid is more than simply a pattern.

Find vintage Alexander McQueen fashion and accessories — including the designer's coveted bags and comfortable, stretchy jersey knit dresses and gowns — on 1stDibs.

When Christian Dior launched his couture house, in 1946, he wanted nothing less than to make “an elegant woman more beautiful and a beautiful woman more elegant.” He succeeded, and in doing so the visionary designer altered the landscape of 20th century fashion. Vintage Dior bags, shoes, evening dresses, shirts and other garments and accessories are known today for their feminine and sophisticated sensibility.

Dior was born in Granville, on the Normandy coast, in 1905. His prosperous haute bourgeois parents wanted him to become a diplomat despite his interest in art and architecture. However, they agreed to bankroll an art gallery, which Dior opened in 1928 in Paris with a friend.

This was the start of Dior’s rise in the city’s creative milieu, where he befriended Pablo Picasso and Jean Cocteau. After seven years as an art dealer, Dior retrained as a fashion illustrator, eventually landing a job as a fashion designer for Robert Piguet, and in 1941, following a year of military service, he joined the house of Lucien Lelong. Just five years later, with the backing of industrialist Marcel Boussac, the ascendant Dior established his own fashion house, at 30 avenue Montaigne in Paris.

Just two years after the end of World War II, the fashion crowd and the moribund haute couture industry were yearning, comme tout Paris, for security and prosperity, desperate to discard the drab, sexless, utilitarian garb imposed by wartime deprivation. They needed to dream anew.

And Dior delivered: He designed a collection for a bright, optimistic future. “It’s quite a revolution, dear Christian!” exclaimed Carmel Snow, the prescient American editor-in-chief of Harper’s Bazaar, famously proclaiming, “Your dresses have such a new look.” The press ran with the description, christening Dior’s debut Spring/Summer haute couture collection the New Look. “God help those who bought before they saw Dior,” said Snow. “This changes everything.”

Dior’s collection definitively declared that opulence, luxury and femininity were in. His skirts could have 40-meter-circumference hems, and outfits could weigh up to 60 pounds. They were cut and shaped like architecture, on strong foundations that molded women and “freed them from nature,” Dior said. Rather than rationing, his ladies wanted reams of fabric and 19-inch waists enforced by wire corsets, and the fashion world concurred. The debut got a standing ovation.

In the subsequent decade, Paris ruled as the undisputed fashion capital of the world, and Christian Dior reigned as its king. With the luxuriously full skirts of his New Look, suits and his drop-dead gorgeous couture dresses and ball gowns worthy of any princess, Dior gave women the gift of glamour they’d lost in the miserable years of war.

On 1stDibs, find an exquisite range of vintage Christian Dior clothing, jewelry, handbags and other items.