HERMES S/S 2007 Red Poppy Floral Keyhole Halter One-Piece Bathing Suit

Endeavoring to tear down gender stereotypes and sartorial norms on the catwalk, making underwear outerwear, putting men in skirts and models of all shapes and sizes on the runway, Jean Paul Gaultier has created wildly provocative, transformational designs for day dresses, gowns, tops and other garments that draw on numerous influences and boldly merge haute couture with street sensibility.

An only child raised in the suburbs of Paris, Gaultier didn’t have a formal fashion education. But he loved to sketch and was drawn to clothing, citing the corsets in his maternal grandmother’s closet as having a formative impact on his creative direction. He’s said that some of his earliest fashion work was for his teddy bear, and later he would send his sketches to designers he revered, including Pierre Cardin.

Gaultier began his career in 1970 as an assistant to Cardin, who admired the sketches the 18-year-old had sent for his appraisal. After Gaultier had his first runway show in 1976, featuring unconventional statements like pairing motorcycle jackets with ballerina skirts, it didn’t take long for his star to rise.

Gaultier's playful but exquisitely crafted reimaginings of classic Parisian styles — the striped mariner shirt, the trench coat — soon became recurring themes of his eponymous house, which he founded with his life partner and business associate Francis Menuge in 1982.

“He was absolutely peerless for the longest time in the late ’80s and early ’90s,” fashion editor Tim Blanks told the New York Times. This was the period of Gaultier’s most iconic designs.

In 1984, Gaultier’s “Boy Toy” collection challenged men’s fashion with striped shirts and skirts — and sold around 3,000 of them. He was hailed for spectacle-laden runway shows and superb tailoring. Gaultier began to work with Madonna during the late 1980s, and, at the pop star’s request, he designed the costumes for her 1990 “Blond Ambition” tour. Her pink corset became a cultural touchstone of the era.

Gaultier continued to expand his brand. There were the colorful all-over graphic prints in the sheer stretch-tulle fabric of his Soleil line — which have gained fans in millennials seeking the authentic, easy style of 1990s fashion — and he debuted his first couture collection in 1997. Gaultier created costumes for film and stage and was nominated for a César Award for Best Costume Design for The City of Lost Children (1995) and then a second for Luc Besson’s The Fifth Element (1997).

From 2003 to 2010, Gaultier was the creative director for Hermès. The first international exhibition of his work, “The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk,” debuted in 2011 at the Montreal Museum of Fine Arts and toured to cities including Stockholm, New York City, Dallas and London. Vintage Gaultier Birkin bags are unsurprisingly sought-after collectibles, and the So Black collection — a line that included the So Black Birkin, which featured black PVD-coated hardware — was among his last works for the brand before his departure.

Gaultier presented his last ready-to-wear collection in 2014 and in 2020 stepped down from his couture line, ending his boundary-pushing, industry-shaping reign with a raucous show of more than 230 outfits formed from fragments of collections from across his 50-year career.

One of fashion’s enfants terribles, Gaultier has never sought out pretty for pretty’s sake. Instead, he has challenged the traditional ideals of beauty. Today, the designer's vintage clothing designs — experimental undergarments cut from lace and suede, leather-trimmed evening dresses and jackets of denim, plastic or striped jersey — are as punk as they are high fashion.

Find vintage Jean Paul Gaultier dresses, skirts, jeans and accessories today on 1stDibs.

For Hermès, what began as a maker of leather equestrian goods for European noblemen would eventually grow into one of the most storied fashion labels in the world. In 1837, German-born French entrepreneur Thierry Hermès opened a saddle and harness purveyor in Paris. Gradually, the house extended into accessories and luggage for its riders, and today, in paying homage to its origins, the family-run luxury brand resurfaces horse motifs in everything from clothing and modernist jewelry to pillows and handbags.

The first top-handled bag ever produced by Hermès was the Haut à courroies, which made its debut in 1892. A tall bag secured with a folded leather flap (fastened with bridle-inspired straps), it was designed to transport riding boots and a harness.

As the world made the switch from horse to automobile, the bag adapted, becoming a multifunctional travel satchel instead of a designated saddlebag. Today, 120 years later, the HAC remains in Hermès’s line — and its distinctive flap and clasping straps have laid the groundwork for some of the house’s other iconic bags.

In the 1930s, Robert Dumas (son-in-law to Émile-Maurice Hermès, Thierry’s grandson) designed a smaller, trapezoidal take on the flap bag with a handle and two side straps. Later, actress Grace Kelly, then engaged to Prince Rainier of Monaco, is said to have used one of these bags to conceal her pregnancy during the 1950s. Because she was photographed constantly, the coverage catapulted her handbag to international popularity.

In 1977, Hermès officially renamed the model for her, and the Kelly bag was born. Each Kelly bag takes between 18 and 25 hours to produce, and its 680 hand stitches owe solely to one Hermès artisan.

Robert Dumas was also responsible for another one of the brand’s most iconic offerings: the launch of its first silk scarf on the occasion of Hermès’s 100th anniversary in 1937. Based on a woodblock designed by Dumas and printed on Chinese silk, the accessory was an immediate hit.

Today, vintage Hermès scarves, typically adorned in rich colors and elaborate patterns, serve many functions, just as they did back then. Well-heeled women wear it on their heads, around their necks and, in a genius piece of cross-promotion, tied to the straps of their Hermès bags. Kelly even once used one as a sling for her broken arm.

In 1981, Robert Dumas’s son Jean-Louis Dumas, then Hermès chairman, found himself sitting next to French actress and musician Jane Birkin on a plane, where she was complaining about finding a suitable carryall for the necessary accoutrements of motherhood. After the two travelers were properly introduced, Birkin helped design Jean-Louis’s most famous contribution to the Hermès canon: the Birkin bag, a roomy, square catchall with the HAC’s trademark leather flap top and the addition of a lock and key.

Owing to the brand’s legendary commitment to deft, handcrafted construction, the Birkin is an investment that is coveted by collectors everywhere.

While the Kelly and Birkin may be standouts, gracing the arms of everyone from royal heiresses to hip-hop stars in the past few decades, the handbags are but a small part of Hermès’s fashion offerings.

Since the 1920s, the brand has produced some of the most desirable leather goods in the world. There’s the Constance bag, a favorite of Jacqueline Kennedy, the recently relaunched 1970s-era Evelyne and, on the vintage market, a slew of designs dating back to the 1920s.

Good design never goes out of style. Find a variety of vintage Hermès handbags, day dresses, shoes and more on 1stDibs.