Jacket exhibition panel by Massimo Osti for Stone Island 1990s

This exceptional reversible coat by Ermanno Daelli Cortina is a rare example of refined Italian craftsmanship from the 1970s featuring a bold red leather side that exudes confidence ...

At the heart of an art exhibition, an extraordinary resin display panel stands proudly, a silent tribute to Raniero Gatinoni's iconic moments of Italian fashion in the 1990s. Precise...

Eye-catching jacket in fine leather designed by Gianfranco Ferrè for Dior in the 1990s, made in Italy. ORIGINAL LABEL. The jacket is made entirely of fine red leather on the outside,...

Extremely rare two-piece ensemble by Claude Montana, created in collaboration with the renowned French leather atelier Ideal Cuir, and featured on the runway in 1983. A striking exam...

HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produc...

JUNYA WATANABE 2021 Runway Reversible deconstructed MA-1 bomber blazer jacket S Reference: TGAS/D00717 Brand: Junya Watanabe Designer: Junya Watanabe Collection: 2021 - Runway Materi...

Raf Simons AW 2001 Riot Riot Riot Coated Detachable Jacket Size 46 Beautiful Raf Simons Riot Riot Riot coated jacket in black featuring deta...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...