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Jean Baptiste Leprince, Young Russian girl, from Faces of Children, 1968 (after)

1968

623,78 €
779,72 €20 % de remise

À propos de cet article

This exquisite lithograph and pochoir after Jean Baptiste Leprince (1734–1781), titled Tete de petite fille russe (Head of a young Russian girl), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition conveys Leprince’s penetrating observational skill and sensitivity to character, translating his ethnographic studies into a refined modern printmaking language. Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 10.39 x 7.87 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Jean Baptiste Leprince (1734–1781) Title: Tete de petite fille russe (Head of a young Russian girl), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968 Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued Dimensions: 18.5 x 14 inches overall; image size 10.39 x 7.87 inches Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris Notes: Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade. About the Publication: Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the album inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draughtsmanship to collectors, institutions, and scholars. About the Artist: Jean Baptiste Leprince (1734–1781) was a French painter, draughtsman, and printmaker whose pioneering vision positioned him as one of the most original artistic minds of the eighteenth century and a foundational figure in the history of aquatint. Trained in Paris and initially shaped by Dutch and Flemish genre painting, he developed an unusually analytical approach to observation, light, and atmosphere that merged documentary realism with poetic invention during the Enlightenment. His extensive travels through Eastern Europe and Russia proved transformative, enabling him to record rural customs, folk traditions, religious ceremonies, and everyday labor with an ethnographic sensitivity unprecedented in French art, imbuing his compositions with psychological depth, cultural nuance, and narrative immediacy. Operating alongside figures such as Jean Honore Fragonard, Hubert Robert, and Louis Gabriel Moreau, Leprince bridged genre painting, landscape, and social observation while quietly expanding the expressive potential of both painting and printmaking. His most significant technical achievement was the refinement and popularization of the aquatint process, through which he achieved tonal gradations and painterly depth that dissolved the boundaries between graphic and pictorial art, anticipating later modern explorations of texture and expressive surface associated with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. Increasingly reassessed by scholars and collectors, Leprince’s enduring importance is reflected in his presence in major museum collections and in his market recognition, with his highest auction record reaching approximately 650,000 USD at Sothebys Paris in November 2019. Jean Baptiste Leprince lithograph, Tete de petite fille russe, Visages d Enfants Jacomet, Daniel Jacomet pochoir, eighteenth century drawing after, Parisian printmaking twentieth century.
  • Année de création:
    1968
  • Dimensions:
    Hauteur : 46,99 cm (18,5 po)Largeur : 35,56 cm (14 po)
  • Support:
  • Mouvement et style:
  • Après:
    Jean Baptiste Leprince (1734 - 1781, Français)
  • Période:
  • État:
  • Adresse de la galerie:
    Southampton, NY
  • Numéro de référence:
    1stDibs : LU1465217383802

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