Furniture

Pair of two whimsical ceramic swan sculptural table lamps. Each ceramic lamp is identical and showcases a swan, in repose, looking downward with its wings outstretched and displayed. At the bottom of each swan, are curled waves resembling a pond or water feature as though the bird is floating on top of the water. The color of these beautiful Animalia birds is in a pure white, with a pearlized pearlescent hue glazed on top. The lamp reaches out from the top of each swan and includes a button switch. Each cord with plug is strung through the bottom and features a molded divot at the base for the cord to come out making the lamps sturdy and not resting on each cord. Each lamp is affixed to a ceramic base in the same hue and glaze. How We Would Style Them: A dramatic pair such as these will add whimsy in any room. Our favorites, of course, would be the following: Nursery: In a nod to Spring, and rebirth, this would be a symbolic and appropriate form of lighting for a nursery. Boy or girl, the white pair will be a subtle tribute to a new little one. Placed on either side of a dresser, or, as some new mothers do, on either side of a twin bed or daybed. Because sometimes it’s just easier, and for a better piece of mind, to sleep next to a new baby! Child’s Room: Imagine a brightly lacquered French blue pair of nightstands on either side of a twin bed. chinoiserie wallpaper (Hello to all my Grand Millenials!) gracing the walls. And crisp white bedding and sheets in a matching pattern to the chintz wallpaper. Caprani flush mount lighting at the ceiling, and a fringe ottoman and matching chair at the side. A room fit for a little prince or princess. Finally, a Palm Springs or Hollywood Regency Style home. In a foyer or dining room, we see this pair placed aptly on a brightly colored...

A fantastic, freeform, heavy Chawan tea bowl by American master potter/artist Peter Voulkos who is universally known for his abstract expressionist ceramic pottery pieces and sculptu...

Designed by the brilliant Torsten Nilsen for Wetnofa, (collected by many AD 100 designers and becoming more rare and more sought after than ever). This rare and outstanding example o...

A truly fantastic, large, heavy charger/plate/platter by American master potter/artist Peter Voulkos who is known for his abstract expressionist ceramic pottery pieces and sculptures...

***MARBRO ORIGINAL** GILDED EMPIRE STYLE PORCELAIN LAMP! The Only One in The World! CIRCA 1960 Incredible Midnight Color! A Cobalt Blue so Deep its almost Black! DI...

MONUMENTAL BAMBOO & WALNUT POLYNESIAN STYLE TABLE LAMP In the Manner of McGuire & Wakefield Circa 1947-1950 At the very beginning of the Post-War Polynesian or South Pacific craze which took over America during the late forties and fifties, there were precious few importers of fine bamboo furnishings. John & Elinore McGuire set up shop in California to do just that and their works are legendary for quality and durabiity. The time required to cut, soak, bend and shape bamboo into permanently sculpted forms was substantial and the exotic material was only available in quantity in the South Pacific. This lamp is an extremely rare, early example of a Bamboo lamp done in Polynesian (later Tiki) style. You seldom see any of these lamps, because they were very scarce new and even fewer have survived the past 70 years since their manufacture. It was likely created & imported in very small numbers around 1950 and sold through an early importer such as McGuire. Many bamboo importers were direct-to-decorator importers who advertised in Interiors or House & Garden magazine. The shape is based on the style of bamboo work used to create thatched huts and housing in the South Pacific islands - bamboo, cut, soaked and shaped and then tied with cane binding. This one has a double stacked oversized walnut base to provided stability to this enormous lamp...

RARE MARVELOUS MODERNISM! REMBRANDT MCM LAMP! "Twilight Zone" " "Third From The Sun" HISTORIC MID CENTURY LIGHTING! ATOMIC AWESOME! DIMENSIONS: HEIGHT: 38.5" SHADE: 19" MILK GLASS DIFFUSER FABRIC SHADE WITH TEXTURED GOLD FOIL LINING CIRCA 1953 WOW! THIS IS IT! The famous wildly modern Rembrandt lamp featured in the 1960 Twilight Zone episode "Third From The Sun". In this the 14th episode of Rod Serling's Sci-Fi masterpiece two scientists plan to escape their doomed world which is about to have a nuclear war. This modernist Rembrandt lamp was used in the lead character's home, right next to some modern art, to help present an otherworldly & futuristic decor. The viewers don't know that this world is not Earth until the end of the show, but the futuristic decor, unusual camera angles and unusual vehicle sounds were subtle hints! A timeless part of television history and a coup for Rembrandt lamp designers to be chosen to depict the most advanced lamp design! This lamp was expensive new and production was never as high as their lesser quality competition. The result is that now these lamps are becoming impossible finds. The few owners privileged enough to own one never let them go. They are far too cool! Now that brash mid century optimism and outrageousness makes them even more wonderful than when they were new! This one is in very fine vintage condition with all the expected patina and minor blemishes time takes on metal, glass, wood and enamel. The fabric lamp shade with its gold foil textured lining is lost technology that would be impossible to reproduce today at any price and is also in very fine vintage condition. This showpiece lamp features a giant "Mogul" socket which was used in most floor lamps and large table lamps prior to 1955, One will be provided with the lamp, and they are still available. It truly is a modern miracle to find this tall 39" monumental lamp! Displays beautifully! If you've ever wanted to have otherworldly decor in your interiors - this is your opportunity! If you haven't seen the episode, it is a must watch...

A fantastic, beautifully designed, heavy Anagama wood-fired wall plate/charger by American master potter/artist Peter Voulkos who is universally known for his abstract expressionist ...

Vintage Hans Turnwald Collection 1970s Hollywood Regency white and gold barware set, featuring two ice buckets with lids, gold metal ice tongs, a gold wine cooler...

                                             Item Description Title: "SALUNE AGAMOGRAPH” Limited Edition Print :  Agamograph Lithograph; lithographic image viewed through a lenticul...

Sometimes, the most glamorous thing a chair can do is disappear. That’s exactly the magic trick Vladimir Kagan pulled off with these absolutely iconic acrylic barrel chairs...

A monumental four-part sculpture that fits together to form a four-sided pyramid titled "Eye of the Pyramid" by the noted late artist Bijan Bahar. Mr Bahar sadly passed away a couple of years ago. We had the pleasure of getting to know him as he spent his last few years in Palm Springs. This was created in the late 1980s and is signed and numbered 5/6. It is in good age appropriate condition but has been recently re-polished. There are some minor marks from handling but nothing major. There is some cloudiness to the lucite from age. Note the bottom is sanded to a Frost finish by the artist. Each piece is signed and numbered. It was purchased directly from the artist and his team re-polished it. Please note that Bijan blunted the points of the tops for safety reasons when he created the sculpture. A bio af the artist follows: Museum Shows / Collections Some of Commissions / Collections Irvine Foundation, Los Angeles, CA Mr. R. Lichtenstein, Int. Riverside Museum of Art, Riverside, CA Mr. Ali Sobhani, CA Newport Harbor Art Museum, Newport Beach...

Rare Brutalist bronze wall sculpture by Enrico Donati. Stunning patina. From a very small edition of 6. Signed. Strong back brackets f...

This Shaker inspired Four-door, 2 Drawer Cupboard is made of fully repurposed steel. This modern take on an old tradition uses naturally rusted steel to bring a warmth to this beaut...

The Shaker inspired settee is made of fully repurposed steel and then painted with a high gloss white paint. Meticulously crafted, artist Jim Rose was a master welder as well as art...

This Shaker inspired one-door armoire is made of fully repurposed steel. This modern take on an old tradition uses naturally rusted steel to bring a warmth to this beautifully const...

The Shaker inspired tripod stand is made of fully repurposed steel and then painted with a high gloss white paint. Meticulously crafted, artist Jim Rose was a master welder as well ...

LIGHTOLIER MID CENTURY MODERN LYTESPAN 1959 TENSION POLE LAMP! ICONIC 3 GOLD SHADES WITH HANDLES! FITS 8 FT. CEILING This is both an iconic & gorgeous Lightolier atomic...

I have owned this Patrick Nagel original silkscreen “Seated Man” since it was released in 1981. I was in fashion college then and Patrick and hi...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Assemblage No.02 is a captivating statement piece. Heavy, Rough and impenetrable, this sculpture is a testament to Jim Rose's work. Meticulously crafted, artist Jim Rose was a master...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Assemblage No.04 is a captivating statement piece. Heavy, Rough and impenetrable, this sculpture is a testament to Jim Rose's work. Meticulously crafted, artist Jim Rose was a master...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked, pr...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked whi...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, found steel objects are welded together to ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked, pr...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked and...

This iconic "springer" lounge chair by the legendary Phyllis Morris is a definitive example of Hollywood Regency glamour. Expertly crafted from heavy-duty cast aluminum, the frame fe...

This is a totally functional five shelved bookcase is made from repurposed steel, patinaed to a natural rush finish. Modeled after Shaker furniture, this modern industrial statement...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here, a beautifully rusted tobacco box, a steel egg...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, found steel objects are welded together to ...

Antique Japanese Samurai Suit of Armor, Edo period, 18th century. A complete matching set of lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga schoo...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

This striking pair of console tables embodies the bold geometry and textural richness of Postmodern design from the 1980s. Each table is expertly constructed in an arresting waterfal...

Vintage Boho Monumental mirror. A chic tessellated bone in a clean and modern shape. A glamorous band of chrome at the crown. Two mirrors available on my page. Acquired from a Palm B...

Infuse your workspace with bohemian elegance using this Vintage Boho Faux Goatskin Waterfall Desk. The American-style design features a smooth, faux goatskin finish and a sleek water...

An extraordinary vintage Boho cast concrete sculpture. A beautiful composition of one of the Four Seasons “Spring”. Perfect indoors or outside. Monumental in size and drama. Acquired...

A 20th century master’s coffee table designed by renowned artist/sculptor Abbott Pattison, (1916-1999). handcut puzzle pieces of Carrara marble imported by the artist in the early 1960s from Florence, Italy, interlock to form the intricate bases in the shape of Jean Dubuffet forms. The majestic large top is handcut with a Dubuffet shape and beautiful freeform curves. Topped off with a major 3/4'' thick biomorphic glass top. A very important and priceless piece of "Furniture as Art" of the 20th century. This one of a kind original piece is from the original owner’s multimillion dollar vintage Palm Springs Art...

This is an organic modern pair of grasscloth wrapped chests. They have brass hardware and clean lines. The are unmarked and in very good condition.

For FULL item description click on More Details below. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Ernest C Masi Faux Goatskin Lacquered Sideboard ...

Cleo Baldon breakfast or card table manufactured by Terra in the mid-1960s thru the mid-1970s. An outstanding example of California Modern design by Cleo Baldon for her Los Angeles...

vCleo Baldon breakfast or card table manufactured by Terra from the mid-1960s thru the mid-1970s. An outstanding example of California Modern design by Cleo Baldon for her Los Angel...

Introduce a touch of modern luxury with this Vintage Contemporary Lacquered Goatskin “JMF” Chair, inspired by the iconic designs of Karl Springer. This stunning chair features a slee...

A Karl Springer style highly stylized Ramshead in highly polished brass with acrylic horns… on a hexagonal brass base… The horns, the post and the base all come apart easily and reco...

Artist: Yaacov Agam, Israeli (1928-) Title: Space Divider Medium: Polished metal kinetic sculpture Edition: 19/25 Rotates at top Signed on side of piece - Agam on the underside is the number. On stand 47” tall 7” x 7” Piece only 7” wide by 9” by 2 7/8” wide normal tarnish and wear It comes with the magazine cover of the artist and the custom made Lucite base. Artist Biography from the Guggenheim Yaacov Agam B. 1928, RISHON-LE-ZION, PALESTINE Yaacov Agam was born in Rishon-le-Zion, Palestine (now Israel), in 1928, the son of a rabbi and kabbalist, Yehoshua Gibstein. He studied at the Bezalel Academy in Jerusalem under Mordecai Ardon in 1946, moved to Zurich and then Paris, and studied at the Atelier d'art abstrait and at the Académie de la grande chaumière. While in Zurich, he met and was influenced by artist and teacher Johannes Itten, who was propagating Bauhaus ideas; he also found inspiration in Vasily Kandinsky's defense of abstraction, ber das Geistige in der Kunst. Insbesondere in der Malerei (On the Spiritual in Art: And Painting in Particular, 1911). His first solo exhibition was at the Galerie Craven in Paris in 1953, entitled Peintures en Mouvement (Paintings in movement), where he showed two series of early work. In one, grids of painted strips that incorporated different designs on opposite sides created images that merged and changed as spectators shifted their viewing position (a type of lenticular print that eventually became known as an Agamograph). In the other, his Transformable Pictures (Images transformables, 1953–61), viewers could manually activate works and rearrange their visual elements. While not the first Optical-Kinetic artist, Agam encouraged spectator participation at a time when such strategies were rare. He exhibited, along with other pioneers of Kinetic art including Alexander Calder and Jean Tinguely, at the Le mouvement (Movement) exhibition at the Galerie Denise René in 1955. He continued to produce abstract, Kinetic work that incorporated light, sound, and viewer participation. He also produced many public commissions, including a moving salon environment at the Elysée Palace in Paris in 1972. In the space, walls were covered with lenticular imagery; transparent doors were included; and a sculpture was placed on a Kinetic carpet. In all, the environment shifted according to the viewer's position. In 1979, Agam was asked to make a work of art to commemorate the peacemaking efforts between Anwar el-Sadat and Prime Minister Menachem Begin...

Fantastic monumental vintage 80;s coffee table. Four chic cylinder pedestals in a gloss black with an inset glass top. Super glamorous. Done in the manner of Karl Springer. Acquired ...

This is a 1970s organic modern grasscloth wrapped console table in the manner of Karl Springer. The grasscloth is painted blue, which gives the appearance of denim. The sculpted form...

'Calibrated to Balance' is a unique red, green, yellow, teal and amber hand-blown and cut glass hanging artwork with steel frame by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Exquisitely handblown and cut to the highest quality and refinement, the elements have been composed and suspended on a steel frame ready for wall hanging. Increasingly the artists have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, primarily through blown glass, but also using steel, and constructions in other materials. Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'Catcher of the Skies' is a unique pink, orange and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'The Cobalt Voyager' is a unique intense electric blue and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

An immense and heavy bronze by the noted artist Jeff Day. he is currently in China but we managed to converse with him. He identified the work and the approximate year it was cast and how heard it was to make. He thinks he signed it although we can't find his mark. it is quite impressive and has a beautiful gold flecked patina. There is a fracture in the center small and hard to spot that occurred in the casting. This is a unique piece. There are some minor losses to the patina near the base and minor nicks and scratches. The base has been repaired in one corner. One other corner is missing the wood trim, pictured. The piece and shows its age with age appropriate wear. Biography: One and Two Person Shows 2012 Circle Gallery, Shenzhen, China 2011 Families of the World Sculpture Exhibit, The European Chamber of Commerce, Nanjing, China 2010 East Meets West, Sensation Art Space, Chongqing, China 2010 Paintings and Sculpture, The Centre Gallery, Nanjing International School, Nanjing, China 2006 Sculpture Exhibit, Bayview Front Room, Whidbey Island, Washington 2005 Visions of a Turkish Landscape, Sade Kave, Rumeli Hisar, Istanbul, Turkey 2004 Visions of a Turkish Landscape, Michael Stadler Gallery, Langley, Washington 2003 Visions of a Turkish Landscape, University House Gallery, Issaquah, Washington 2003 Marion Meyer Gallery, Laguna Beach, California 2003 Visions of a Turkish Landscape, Enka Sanat Galerisi, Istanbul, Turkey 2001 Marion Meyer Gallery, Laguna Beach, California 2000 Recent Work, Woodside/Braseth Gallery, Seattle, Washington 1999 Works from Rialto, Desert Art Source, Palm Desert, California 1998 Pacific Forms and Other Worlds, Lawrence Gallery, Sheridan, Oregon 1997 Pacific Forms, Woodside/Braseth Gallery, Seattle, Washington 1996 Day Meets Eve, Gunnar Nordstrom Gallery, Kirkland, Washington 1992 Pacific Forms, with Guy Anderson, 1001 Fourth Avenue Plaza, Seattle, Washington 1990 Pacific Forms, 1001 Fourth Avenue Plaza, Seattle, Washington 1989 Sculpture, 1927-1989, Seattle Center, Matthew Kangas, Curator 1985 Black Arts Festival, Invitational, Seattle Center, Seattle, Washington Peacemaker, Invitational, Evergreen State College, Olympia, Washington 1984 Seattle Central Community College, Seattle, Washington 1981 New Work, Gallery Whidbey, Langley, Washington 1979 Exploration of Form, Kirsten Gallery, Seattle, Washington 1976 Figurative Forms, University Fine Arts Gallery, Two-person show with Alfredo, Arreguin, Seattle, Washington 1974 Figures in Action, Ryder Gallery, Los Angeles, California 1973 Family of Man, French Consulate, Toluca, Mexico 1973 Capturing Universals, Polly Friedlander Gallery, Seattle, Washington 1972 Moving Forms, University Fine Arts Gallery, Seattle, Washington Group Shows 2011 Dunn Gardens Outdoor Sculpture Show, Seattle, Washington 2010 Sensation Art Space Gallery, Chongqing, China, Group Show, Organic Forms 2009 Group Show, Woodside Braseth Gallery, Seattle, Washington 2008 Dunn Gardens Outdoor Sculpture Show, Seattle, Washington 2007 Outdoor Sculpture Gardens, Westcott Bay, San Juan IslandWashington 1993 Group Show, Riverhouse Galleries, Brisbane, Australia, Group Show, Gallery Mack, Seattle, Washington 1991 Sculpture Show, Burien Arts Gallery, Burien Washington, Vision, Myth and Magic III, Kirsten Gallery, Seattle, Washington 1989 Group Show, Gallery Mack, Seattle, Washington 1988 International Gardens of Art, Bellingham, Washington, Nagatani Gallery, Bellingham, Washington 1987 Invited to participate in Northwest Sculpture 1927-1987, Mathew Kangas, curator Seattle Center, Seattle, Washington 1987 Outdoor Sculpture, Gallery Mack, Seattle, Washington 1986 Woodside Braseth Gallery, Seattle, Washington 1983 King County Executive Invitational, Seattle, Washington 1978 Moody Gallery, Pasadena, California 1974 The Gallery, Palm Springs, California Collections: Corporate, Institutional and Private ACT Theatre Paul Allen Collection Curtis Beattie and Associates Anne Gould Hauberg Collection Milliman and Robertson, Incorporated John Moga Collection Mount Zion...

A 48 inch diameter mirror. Lacquered goatskin in showroom condition. The inset mirror is 35 inches in diameter with a 1.25 inch bevel. Mage by Enrique Garcel in Columbia.