Furniture

Basquiat: Boom for Real by Eleanor Nairne and Dieter Buchhart. 1st Ed hardcover no dust jacket as issued. Published by Prestel, Munich, 2017, for exhibitions in London and Frankfurt....

Domestic Architecture of H.T. Lindeberg by H. T. Lindeberg. NY: Wm Helburn, 1940. Limited (1/1000) first edition hardcover, 1/4 maroon morocco over red cloth, no dust jacket as issued. Illustrated from photographs, drawings, plans, and elevations, including six plates in color; with a list of clients. The introduction by Royal Cortissoz. He designed for the rich and famous of the first half of the 20th century, Astor, DuPont, Morgan, Vanderbilt. Having worked at McKim, Meade & White, and as an assistant to Stanford White he learned the art of the selling his plans. A remarkable architectural monograph. Old owner's stamp (Franklin Adams...

An Exceptionally Rare Secrétaire à Abattant After the designs of Jean-Henri Riesener for Marie Antoinette By Paul Sormani of Paris Of upright rectangular form with canted corners a...

The Well-Lived Life: One Hundred Years Of House & Garden by Dominique Browning. Published by Assouline Publishing, 2003. 1st Ed hardcover with dust jacket signed and inscribed by the author to Herbert Kasper. Herbert Kasper was an American fashion designer known as "Kasper." He studied English and advertising at New York University and fashion at The Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After World War II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector with a famous collection, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. Few magazines can lay claim to a century of history or to having published work by some extraordinary and distinguished photographers and writers as House & Garden. Now, straight from the pages of this well-loved periodical, The Well-Lived Life presents a lavish chronicle of a country and a culture coming into its own, documenting America's continuing education in matters of house, home and garden over the course of the 20th century. Selecting high points from the magazine, this book surveys the growing confidence and imagination reflected in American interiors and entertaining over the last century -the dinners, picnics and parties of a country dedicated to welcoming others- and the changing definition of home. It also illuminates the joys -sedentary or sporting- Americans have always found in the out-of-doors. The Well-Lived Life surveys the landscape of our lawns and gardens...

Rowlandson,Thomas & Combe, William The English Dance of Death; in Twenty-Four Monthly Numbers, from the designs of Thomas Rowlandson accompanied by metrical illustrations by the author of "Doctor Syntax...

Moooi S.F.M. #075 rug in soft yarn polyamide by Marcel Wanders Studio. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Ams...

Moooi S.F.M. #076 rug in Soft Yarn polyamide by Marcel Wanders Studio Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amst...

Moooi S.F.M. #077 rug in Low Pile Polyamide by Marcel Wanders Studio Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amste...

Moooi S.F.M. #077 rug in Wool with Overlocking Finish by Marcel Wanders Studio Marcel Wanders studio is a leading product and interior design studio located in the creative capita...

Moooi S.F.M. #076 rug in low pile polyamide by Marcel Wanders Studio. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amst...

Moooi Medium Monster carpet in soft Yarn Polyamide by Marcel Wanders Studio Marcel Wanders studio is a leading product and interior design studio located in the creative capital o...

Moooi S.F.M. #075 rug in Low Pile Polyamide by Marcel Wanders Studio Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amste...

We are delighted to offer for sale this pair of large and collectable Regency style metamorphic armchair which converts into Library steps after the original 18th century design by Gillows of Lancaster with Burr Walnut panels A very good looking and well made pair, I have never seen a Regency style piece with Burr Walnut panels before, the leather seat pads have been restored by my leather polishers, they have been hand dyed six times, antiqued and sealed The period 1800-1825 was a great one for ‘patent’ or ‘metamorphic’ furniture This chair, which transforms into a short set of steps for use with bookshelves, is close to a design for a ‘Library Chair’ published in Rudolph Ackermann’s Repository of the Arts in July 1811, which was made by the London firm of Morgan and Saunders, of Catherine Street, Strand. They were well known for their ingenious furniture, including reading chairs with writing surfaces attached and a great variety of travelling beds...

Moooi small monster carpet in low pile polyamide by Marcel Wanders Studio Marcel Wanders studio is a leading product and interior design studio located in the creative capital of ...

Moooi Small Monster carpet in wool by Marcel Wanders Studio Marcel Wanders studio is a leading product and interior design studio located in t...

Moooi small monster carpet in soft yarn polyamide by Marcel Wanders Studio. Marcel Wanders studio is a leading product and interior design studio located in the creative capital o...

Moooi medium monster carpet in wool by Marcel Wanders Studio. Marcel Wanders studio is a leading product and interior design studio located in...

Graphite on woven paper portrait of a dancer titled," Randy: Upward Turn", by Jerry Torn. Framed in wood with matte board surround.

Jerry To...

We are delighted to offer for sale this large and collectable fully restored Regency circa 1810-1820 metamorphic armchair which converts into Library steps attributed to Gillows of Lancaster and London This wonderful piece of English history has been on a journey of restoration, the frame has been washed back and French polished by a Victorian trained polisher, the leather upholstery is all new, it is Italian cattle hide, upholstered plain then hand dyed six times, antiqued and sealed, it has a lovely rich reddish brown colour to it. This chair is larger than any other of its type you would have seen, it is an important and extremely expensive looking thing that commands attention in any setting. You can see the same model made by Gillows currently viewed in the Victorian & Albert Museum, below is an extra from their listing. The period 1800-1825 was a great one for ‘patent’ or ‘metamorphic’ furniture This chair, which transforms into a short set of steps for use with bookshelves, is close to a design for a ‘Library Chair’ published in Rudolph Ackermann’s Repository of the Arts in July 1811, which was made by the London firm of Morgan and Saunders, of Catherine Street, Strand. They were well known for their ingenious furniture, including reading chairs with writing surfaces attached and a great variety of travelling beds...

We are delighted to offer for sale this large and collectable lightly restored William IV circa 1830 Flamed Mahogany, metamorphic armchair which converts into Library steps attributed to Gillows of Lancaster and London. This is a wonderful piece of English history, I have never seen another with such elegant turned front legs, usually they are plainer and straight timber. The seat pad has been upholstered with a grey linen, the steps and raw flamed mahogany and look amazing. This chair is an important and extremely expensive looking thing that commands attention in any setting. You can see the same model made by Gillows currently viewed in the Victorian & Albert Museum, below is an extra from their listing. The period 1800-1825 was a great one for ‘patent’ or ‘metamorphic’ furniture This chair, which transforms into a short set of steps for use with bookshelves, is close to a design for a ‘Library Chair’ published in Rudolph Ackermann’s Repository of the Arts in July 1811, which was made by the London firm of Morgan and Saunders, of Catherine Street, Strand. They were well known for their ingenious furniture, including reading chairs with writing surfaces attached and a great variety of travelling beds...

Presented is an autographed collage celebrating the women golfers of the 2009 Solheim Cup U.S. and European teams. The 11th Solheim Cup Matches were held Au...

Moooi Small Flowergarden Night Rectangle rug in Wool with Blind Hem Finish Marcel Wanders studio is a leading product and interior design studio located in the creative capital of...

Moooi large flowergarden night round rug in low pile polyamide. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterdam....

Moooi Large Flowergarden Night Round rug in Wool with Blind Hem Finish Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Ams...

Moooi small flowergarden night round rug in low pile polyamide. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterdam....

Moooi small flowergarden night rectangle rug in low pile polyamide. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amster...

Moooi large flowergarden night rectangle rug in wool with blind hem finish. Marcel Wanders studio is a leading product and interior design studio located in the creative capital o...

Moooi small flowergarden day rectangle rug in soft yarn polyamide. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterd...

Moooi small flowergarden night round rug in wool with blind hem finish Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Ams...

We are delighted to offer this very large and collectable fully restored Regency circa 1810-1820 metamorphic armchair which converts into Library steps after the original 18th century design by Gillows of Lancaster. This wonderful piece of English history has been on a journey of restoration, the frame has been washed back and French polished by a Victorian trained polisher, the leather upholstery has been stripped back, hand dyed six times, antiqued and sealed, it has a lovely rich reddish brown colour to it. This chair is larger than any other of its type you would have seen, it is a important and extremely expensive looking thing that commands attention in any setting. The original made by Gillows can currently be viewed in the Victorian & Albert museum, below is an extra from their listing. The period 1800-1825 was a great one for ‘patent’ or ‘metamorphic’ furniture This chair, which transforms into a short set of steps for use with bookshelves, is close to a design for a ‘Library Chair’ published in Rudolph Ackermann’s Repository of the Arts in July 1811, which was made by the London firm of Morgan and Saunders, of Catherine Street, Strand. They were well known for their ingenious furniture, including reading chairs with writing surfaces attached and a great variety of travelling beds...

Moooi Small Flowergarden Night Rectangle rug in Soft Yarn Polyamide Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amster...

Moooi Large Flowergarden Night Rectangle rug in Low Pile Polyamide Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterd...

Moooi Large Flowergarden Night Round rug in Soft Yarn Polyamide Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterdam....

Celebrates one of the giants of French Impressionism with luxurious, large-format images Pierre-Auguste Renoir (1841-1919) was one of the founders of Impressionism and a friend of Monet, Pissarro and Sisley. He worked side-by-side with Monet on the banks of the Seine, sharing his concern with light and color, but landscape painting never displaced his enduring love of figure painting. Delighting in the ample curves of the nudes he painted increasingly frequently in his later years, Renoir was also a master at capturing the spirit of Parisian life. His art is filled with optimism - his lifelong philosophy was that he painted because it gave him pleasure, and he shares that pleasure with those who see his work. It is almost always summer in his pictures, and in paintings like Moulin de la Galette, The Dance at Bougival and The Luncheon of the Boating Party...

Between Past and Future: New Photography and Video from China by Wu Hung and Christopher Phillips. Published by Smart Museum Of Art and The University ...

Moooi Large Flowergarden Day Round rug in Wool with Blind Hem Finish Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amste...

Moooi small flowergarden day rectangle rug in wool with blind hem finish. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of ...

Moooi small flowergarden day rectangle rug in soft yarn polyamide. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterd...

Moooi small flowergarden day rectangle rug in low pile polyamide Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterdam...

Moooi small flowergarden day round rug in low pile polyamide Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterdam. Th...

Moooi large flowergarden day rectangle rug in wool with blind hem finish. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of ...

Moooi large flowergarden day round rug in soft yarn polyamide. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterdam. ...

Moooi large flowergarden day round rug in wool with blind Hem finish Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amste...

Moooi small flowergarden day round rug in wool with blind hem finish. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amst...

Moooi large flowergarden day rectangle rug in low pile polyamide. Marcel Wanders studio is a leading product and interior design studio located in the creative capital of Amsterda...

Houses by Thierry W. Despont. Published by Office of Thierry Despont, New York, 1990. 1st Ed hardcover with dust jacket. Private edition with personal letter to Sandra and Herbert Kasper. He was an American fashion designer known as Kasper. He studied English and advertising at New York University and fashion at the Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After World War II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was also a famous art collector. He was an avid art collector, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer.unnumbered copy of a run of 1000. With letter from Despont to his client. Mr. Despont was Associate Architect for the Centennial Restoration of the Statue of Liberty and has completed the restoration of Clayton, the Frick family mansion in Pittsburgh. Mr. Despont designed the Decorative Arts Galleries of the new J. Paul Getty Museum and, in collaboration with Richard Meier, was responsible for the interior design of the museum's sculpture and painting galleries. The office also completed the 50,000 square foot flagship store on Bond Street for Ralph Lauren. In the US, the firm designed the Edmond J. Safra Synagogue on East 63rd Street in New York and the flagship store for Harry Winston in Beverly Hills, California. Mr. Despont and his office have completed several very high end hotel projects. Among them are the renovation of the Carlyle Hotel in New York, Claridge's and The Dorchester in London, and Boca Raton Resort & Club in Florida. Current hotel projects include the renovation of the Ritz Paris, the Dorchester Collection's new 45 Park Lane Hotel in London, The Chatwal in New York, and the Divan Hotel in Istanbul. volume with its own dustjacket. These books were given only to clients of the firm. Privately printed set, issued between 1990 and 1995 in a special case. Volume I. 1990, unnumbered copy of 1000 published. Illustrated with photographs by Philippe-Louis Houze and watercolors by Bonnie Glasser. Provides high quality photographs of exteriors and interiors of important houses planned...

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham. In oak and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman...

A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The road from London to the lands end. Commencing at the Standard in Cornhill and extending to Senan in Cornwall. By John Ogilby His Majesties Cosmographer. A road map from Britannia, 1675/6. No 25. Continuing 308 miles, 3 furlongs. London Southwark to Brentford, to Hampton Court, to Hounslow, to Windsor, to Cobham, to Farnham, to Basingstoke to Winchester The handcoloured sheet free floated. In a brown painted and gilded, ogee moulded frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 15 London to St David's. Framed as a pair. Sheet width 48cm., 19 ”., height 38cm., 15 “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started i Black Linear Border around Map Length 44cm., 17 1/8" Height 32cm., 12 1/2" Full Sheet Length 58cm., 22 3/4" Height 38cm., 15" Frame Length 66cm., 26"., Height 56cm., 22" In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. No 15. The continuation of the r...

The Road from London to Yarmouth com. Norfolk. By John Ogilby, His Majesties Cosmographer. Containing 122 miles, 5 furlongs. No 54. From Standard in Co...

The Road from Ipswich com Suffolk to Norwich and thence to cromer on the sea coast com Norfolk. By John Ogilby, Esq, His Majesties Cosmographer. Containing...

The Road from Kings Lyn Co Norfolk to Harwich Co Essex. By John Ogilby His Majesties Cosmographer. Containing 76 miles, 1 furlong. From Lyn to Swaffam, to Stanford, to Thetford, To Icksworth, to Stowmarket, to Ipswich and to Harwich including ye Ferry, No 75, inscribed in pencil 1698 Hand colored and floated in the original black and gold frame, c1961. Some creasing commensurate with age. The back of the frame inscribed May 1961. Provenance : Private Collection, acquired c1961, along with No 74 Ipswich to Norwich & No 54 London to Yarmouth. All in the original black and gold frames. Sheet width 45cm., 17 ¾”., height 34.5cm., 13 ½“ Frame width 50cm 19 ¾”., height 40cm., 15 ¾” Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The continuation of the road from London to St Davids, commencing at Abingdon Com Berks and extending to Monmouth By John Ogilby Esq, His Majesties Cosmographer. From Abingdon to Farringdon, to Lechlade, to Fairford, to Barnsley to Gloucester showing Monmouth as the destination. A road map from Britannia, 1675/6. No 15. Hand coloured and floated on a cream mount within a brown painted and gilded ogee frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 25 London to Lands End. Framed as a pair. Sheet width 46.5cm., 18 ¼ ”., height 37.5cm., 14 ¾ “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

This original black and white photograph of one of Richmond Barthé's rare, little-known sculptures was taken by the famous studio of Morgan and Marvin Smith, who located on West 125th Street next to the renowned Apollo Theater. The Smith brothers moved from their native Kentucky to New York in the early 1930s, and proceeded to establish a studio that brought together almost every major figure in the Harlem Renaissance in the 1930s, 40s and 50s, mentoring artists such as Jacob Lawrence, Gwendolyn Knight, Selma Burke, Ernest Crichlow and Robert Blackburn. The Smiths captured the night life of Harlem, including musicians and actors such as Harry Belafonte, Sydney Poitier, Eartha Kitt, Ossie Davis, Ruby Dee, Count Basie, Ethel Waters, Billie Holiday, Hattie McDaniels, Zora Neal Hurston, Step n' Fetchit, Pearl...

Solheim Cup Matches U.S. & European Team Signed Photo & Flag, USA 16 vs. EUROPE 12, Circa 2009 Presented is an autographed collage celebrating the women golfers...

This charger made as an intentional remake of a famous object is fully embossed on the back as such and contains the maker's name. The charger contains many different scenes from ant...

Presented is an original Benjamin Harrison presidential peace medal. This bronze medal was originally struck by the U.S. Mint in 1889 as a peace offering to the various Native American tribes in the U.S. The obverse of the medal has a raised relief side profile bust of President Harrison, with the text "Benjamin Harrison President U.S.A. 1889". The reverse of the medal has the word "PEACE" at top, with a scene of a settler and Native American talking in front of a log cabin. Below, a crossed tomahawk and peace pipe are enclosed by a wreath of laurel leaves. The medal is displayed on a blue velvet presentation collar with gold striped edging and light purple fabric on the reverse. The medal is attached under a blue fabric covered button. Following the British and French practice of handing out silver medals to tribal chiefs, George Washington began a policy of presenting peace medals to American Indian leaders at treaty signings and other formal ceremonies. Every subsequent American president from Thomas Jefferson to Benjamin Harrison is represented on a presidential peace medal, with the exception of William Henry Harrison...

Hopper Drawing by Carter E Foster. 2013, Whitney Museum of American Art. 1st Ed hardcover with dust jacket. This monograph was prepared to accompany the exhibition at the Whitney Museum of American Art, from May 23 to October 6, 2013. The exhibition then traveled to Dallas and finally to the Walker Art Center in 2014. The book was owned by Herbert Kasper and inscribed by the author to him. Herbert Kasper was an American fashion designer known as Kasper. He studied English and advertising at New York University and fashion at the Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After World War II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882–1967). More than anything else, Hopper's drawings reveal the continually evolving relationship between observation and invention in the artist's work, and his abiding interest in the spaces and motifs--the street, the movie theatre, the office, the bedroom, the road—that he would return to throughout his career as an artist. This exhibition showcases the Whitney's unparalleled collection of Hopper's work, which includes over 2,500 drawings bequeathed to the museum by his widow Josephine Hopper...

From John Ogilby's, 'Britannia, an Illustration of the Kingdom of England and Dominion of Wales'. First published in 1675 it remains the greatest advance ...