14th-16th Century, Antique Thai Sukhothai Celadon Glazed Pottery Bottle

A true piece of history from 1450-1550, made in Thailand. This piece is very rare to come across. Made out of Bronze with Guild, some of the Guild has worn out due to the age. Size,...

A large Sawankhalok dish with incised geometrical decorations. The Sawankhalok style is perhaps the most know Thai art style from the 15th and 16th century. I...

Superb 15/16thC Northern Thai bronze Buddha on custom base. This piece measures 5.5" tall and 6.75" on its custom base. Exquisite face, strong spirit...

This piece is an example of Mingqi, items specifically crafted for burial to accompany the deceased into the afterlife. The terracotta army is the most renowned example of such buria...

A finely cast bronze Buddha head from the Uthong Kingdom, dating to the 14th–15th century. This elegant piece reflects the early stylistic transition toward Ayutthaya aesthetics, cha...

A charming and unusual cast bronze figure of the Hindu goddess Uma, Lopburi Style, 13th-14th century, Thailand. Uma, the Hindu goddess of love and beauty, also known as Parvati, i...

A wonderful and very special piece. This bronze buddha hand sculpture, perhaps a fragment of a larger piece at one time, originally came from the prestigious Doris Wiener Gallery ...

Antique Sawakhalok Celadon Bowl, Thailand, 14th/15th century. A sturdily potted wheel thrown stoneware bowl with everted rim and chamfered lip. The cavetto has vertical combed lines...

An exquisite Thai cast bronze Buddha head, Sukhothai kingdom, circa 15th century, Thailand. The Buddha's pleasing face, with its narrow, oval ...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...