16th Century Ming Dynasty Jiajing Period Wucai Porcelain Dish

Large Chinese Blue and White "Grape Dish", Ming Dynasty, Jiajing Period, 16th Century Large blue and white "Grape Dish". Ming dynasty (1368-1644), Jiaj...

Hi all, this lovely piece just came in. Visible is a nice deep dish from the Jiajing period, probably at the end of it, mid 16th century. It has a strong cobalt blue color with Foo ...

This is a Chinese handcrafted porcelain provincial jar or vase, all hand painted in cobalt blue and dating to the Ming period of the early 16th century or possibly earlier. The jar ...

CHONGZHENG 1628-1644 From our Chinese collection, we are delighted to offer this rare example Chinese Ko-Sometsuke Wucai Porcelain Plate. The plate potted in porcelain ceramic of ci...

This piece is an example of Mingqi, items specifically crafted for burial to accompany the deceased into the afterlife. The terracotta army is the most renowned example of such buria...

Statues of Chinese horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glaze...

Very large Wucai porcelain jardiniere with scenes of courtiers and children at play in a garden. Signed with the mark of the Jiajing emperor of the Ming dynasty.

Statues of Chinese horse riders, featuring glazes in green, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glazed Pottery Typ...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

The figure stands on a rectangular base. The horse is depicted in a poised stance, with strong, muscular legs and a slightly bowed head. The mane is carefully sculpted with deep, flowing grooves, adding a dynamic texture to the piece. The head features expressive details, including a well-defined muzzle, flared nostrils. The bridle and harness are delicately painted in faded green, contrasting against the creamy beige body. The saddle is adorned with intricate details, including decorative tassels and a textured pattern, indicative of the elaborate tack used in the Ming period. Traces of original polychrome pigments in green, black, and ochre remain on the surface, hinting at the sculpture’s once-vibrant appearance. The weathered patina and areas of flaking paint add to its historical authenticity, reflecting centuries of age. The overall craftsmanship and detailing exemplify the Ming Dynasty’s refined ceramic artistry, making this piece a remarkable representation of of asian culture during this period. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Condition : Good(chips on the upper saddle.) Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...