6th Century, Rare and Important Northern Qi Limestone Stele, Art of China

Extremely rare Chinese pottery caparisoned horse from the Northern Qi region. A beautiful large sculptural piece, created in China during the Northern Qi dynasty period, between the 549 and 577 AD. This horse statue is extremely finely modeled of earthenware pottery, standing in a very elegant and majestic position striding on a trapezoidal shaped base. The animal has a gracefully arched neck to the left looking forward and its extremely well modeled. The head is adorned with a large detailed tassels of plumes and the body is embellished with a beautiful saddle and intricate harnesses. The trapping around the chest and rump is adorned with elaborated tassels and the straps are accented with multiples florets and bosses in high relief. Decorated with dotted and circles patterns. The surface is treated with applications of natural color pigments such; red, white and others. Has a measurements of 435 mm by 319 mm by 243 mm (17.10 x 12.55 x 9.55 Inches) (43.5 x 31.9 x 24.3 Cm). Northern Qi, was the successor state of the Chinese Xianbei state of Eastern Wei...

Exceedingly rare Chinese pottery caparisoned horse from the Northern Qi region. A beautiful sculptural piece, created in China during the Northern Qi dynasty period, between the 549 and 577 AD. This horse statue is extremely finely modeled of earthenware pottery, standing in a very elegant and majestic position striding on a trapezoidal shaped base. The animal has a gracefully arched neck to the left and its extremely well modeled. The head is adorned with a large detailed tassels of plumes and the body is embellished with a beautiful saddle and intricate harnesses. The trapping around the chest and rump is adorned with elaborated tassels and the straps are accented with multiples florets and bosses in high relief. The surface is treated with applications of natural pigments such; red, white and others. Has a measurements of 394 mm by 343 mm by 257 mm (15.53 x 13.52 x 10.15 Inches) (39.4 x 34.3 x 25.7 Cm). Northern Qi, was the successor state of the Chinese Xianbei state of Eastern Wei...

A very rare and decidedly charming half-scale terracotta sculpture of the bodhisattva Maitreya, the Buddha of the Future, ancient region of Gandha...

This intricate limestone stele of a standing buddha likely depicts Maitreya, the Buddha of the Future. The only Buddhist divinity revered as both a bodhisattva and a Buddha, Maitreya is prophesied to return to Earth some time in the distant future and continue the historic Buddha's teachings of the Dharma. Like the historic Shakyamuni Buddha, Maitreya is a compassionate being devoted to showing the path to enlightenment. Carved in the style of sixth century Chinese statuary...

Masterpiece 15th century Northern Thai bronze Buddha. This is the best of the best. Traces of gilding in the crevices of the hair, behind the ears, etcetera. The casting is crisp, the sculpting shows great finesse and depth, the patina is beautiful and complex and desirable, the proportions are classic, and the face as deep and serene and beautiful as any you will find on any Buddha. It is extremely large and is the largest high-end period bronze Buddha from Thailand I have ever had the pleasure of offering at 31 inches tall and in the range of 50 to 60 pounds (most of the clay core scooped out) (Outstanding provenance -from the personal collection of Ali A. Abssi (1934-2020) founder of the Ishtar gate...

Big hardwood figure of a dignitary lacquered in original patina. Signs of age-related wear on the base, but all of excellent quality, China, 18th century.

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

Rare 13thC Northern Thai Haripunchai terracotta standing Buddha. Extremely hard to find in complete condition. Significant wear, though the expressiv...

China, a carving of a canine “Pug”, Ming Dynasty, 1368-1644 CE Dimensions: 38 cm, 15” High Photographs taken indoors and out of doors for your viewing pleasure. The hand carved limestone beast shown on its haunches with naturalistic joyful expression and a well defined compact head, ears, noes, eyes, feet, and tail parted to one side on reverse with distinctive collar ornament seated four square on a thick base all-over showing a weathered surface from significant age. Formerly exhibited “Asia Week” New York City, Fuller Building, Hutton Gallery 2006. Provenance: ex collection luoyang, Henan Province, China. Includes custom display base as shown Catalog reference: 35 years collecting 35 treasures, Number 35, p.76 (photo) In ancient China, it is a well-known fact that several types of small dogs were bred and were favored pet gifts between emperors and kings including Lion Dogs, Pekingese and Lo-sze breeds. Some Lo-sze are pictured wearing collars with bells a frequent combination fancied by European royalty of the seventeenth and eighteenth centuries. Lo-sze or pugs were prized for their compact body, good bones, flat face, square jaw, short coat, curled tail, side set back ears, and temperate disposition. History: Placing stone animals in important tombs can be traced back at least to the Qin Dynasty (221-206 BCE), some two thousand years ago. In ancient times, stone animals and human figures placed before imperial tombs symbolized royal power and privilege in addition to decorative functions. The first Ming tomb...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...