Antique Ming Temple Bench with Carved Details 17 th Ctr.

Black glazed bottle from the late Ming dynasty binh thuan cargo. An identical piece is included on page 146 of the Bin Thuan catalog titled 'The Age of Disco...

Pair of jarlet from the late Ming dynasty cargo. An identical piece is included on page 145 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Cera...

17th century Ming dynasty Chinese Zitan libation cup silver inlaid, of deep oval form , the exterior carved in high relief and undercut around the sides and base with gnarled branche...

17th century a pair of Ming dynasty Chinese ZiTan inlaid silver cups, the exterior carved in high relief and undercut around the sides and base with Chi dragon, 5 edges with silver l...

These shallow bowls feature stylized floral and wave motifs rendered in fluid cobalt brushwork beneath a clear glaze. The slightly everted rims and neatly cut foot rings are characteristic of export wares produced in southern kilns during the Ming period. Marine encrustations and glaze degradation attest to prolonged submersion in a maritime context, offering valuable insight into historical trade routes and overseas demand for Chinese ceramics. Period: Late Ming Dynasty Type: Bowl Medium : Blue and White Condition : Good(Marine encrustation is attached on one bowl and it's crack) Provenance : Presumably from the shipwrecked Binh Thuan...

A graceful baluster form with a flared mouth, a rounded body, and a slightly raised foot. The vase features two intricate handles in the shape of animal figures holding large looped ...

Teacup from the late Ming dynasty shipwreck. An identical piece is included on page 141 of the Bin Thuan catalog titled Asian Ceramic Found along Maritime Si...

* DDP Seoul, South Korea (Incoterms) – Seller is responsible for all duties, taxes, and customs clearance. The bulbous body is adorned with elegantly carved floral motifs, with inte...

For the primitive collector. This stunning bench is hand carved from a single teak root from Madura. Beautiful antique bamboo legs in contrast. Rare. This bench was sourced in the s...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...