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Celestial being(Apsara) Stone Statue, Northern Wei-Tang Dynasty

$7,900
£5,983.52
€6,871.86
CA$11,070.48
A$12,035.85
CHF 6,381.42
MX$144,279.30
NOK 81,104.58
SEK 74,302.82
DKK 51,358.47

About the Item

This statue appears to be a stone sculpture of an apsara, a celestial nymph from Buddhist and Hindu traditions. Despite its fragmentary state, the sculpture conveys grace and movement. The apsara is captured in a dynamic pose, perhaps once part of a larger tableau, playing a flute-like instrument. The facial features are serene yet expressive, with faint traces of pigmentation hinting at the sculpture's original polychromy. The black stand was made in Hong Kong at the time of the acquisition. Date : Northern Wei-Tang Dynasty(5-8th century) Dimension : 10.5cm (Height) x 8cm(Diameter) Condition : Good Provenance : Acquired in 1999, Hongkong Reference : Bonhams London 11 Jun 2003 - Fine Asian Art - Lot 143 * Apsara Apsaras, celestial beings gracing the skies of ancient lore, are often heralds of good fortune and the embodiment of positive energy. They float through the heavens with such grace and beauty that their presence is said to uplift the spirit and inspire joy in the hearts of those who witness them. In many Asian cultures, Apsaras are regarded as benevolent spirits of water and clouds, thought to bring nourishing rains to sustain life and fertility to the earth. Their dances, celestial melodies, and elegant movements are believed to soothe the soul and bring harmony to the world. Depicted with ethereal elegance, Apsaras are not merely dancers; they are muses of creativity and the arts. Artists, musicians, and poets seek inspiration from these divine figures, hoping to capture a fragment of their heavenly artistry. In the presence of Apsaras, it's said that one's luck is sure to turn for the better, as they are symbols of good fortune. Their likeness adorns temples and palaces, not only as decoration but as a wish for prosperity, success, and the positive flow of energy. Embracing the qualities of Apsaras in one's life can be seen as an aspiration to live in harmony with the beauty of nature, the arts, and the joyful melodies of existence. They remind us of the delight found in the natural world and encourage us to appreciate the everyday dance of life with a light heart and hopeful spirit.

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The small dots apparent on the surface of this stone stele are indicative of an oolitic silica structure or oolites formed in what is known as "Oolitic chert." The same phenomenon can also be observed in the Tang Dynasty Limestone Stele at the Asian Art Museum in San Francisco. This formation occurs gradually over the course of thousands to several hundred thousand years within the soil or sea. Similar structures are commonly found in ancient fossils or arrowheads. Ancient peoples chose certain types of stones for tool-making, preferring materials that were easier to work with and could be sharpened effectively. This predilection is believed to be the reason why oolitic silica structures are frequently found in ancient arrowheads. The development of these oolitic silica structures is a very slow process involving the accumulation of siliceous layers around particulates. This phenomenon, where silica reacts with water to form layers around a nucleus, occurs under specific chemical and physical conditions. Typically, it takes thousands to hundreds of thousands of years for silica to gradually accumulate in layers through contact with moisture, a process that requires a precise harmony of many variables, including chemical conditions, temperature, pressure, pH, and biological activity. It is known that no other stele with such a silica structure has been identified to date, serving not only as evidence of its authenticity but also significantly enhancing the rarity of this piece. This stele appears to be a stone sculpture of an apsara, a celestial nymph from Buddhist and Hindu traditions. Despite its fragmentary state, the sculpture conveys grace and movement. The apsara is captured in a dynamic pose, perhaps once part of a larger tableau, playing a flute-like instrument. The black stand was made in Hong Kong at the time of the acquisition. Date : Northern Wei/Eastern Wei Dynasty(386~550) Size : 22cm (Height) x 16cm(diameter) Condition : Good (oolites dots on surface) Provenance : Acquired in late 1990s from Hongkong Reference : 1) Sotheby's New York 20 March 2018 - Jingyatang Treasures Of Chinese Buddhist...
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