Chinese furniture “Ningbo Cabinet”, carved, lacquered and gilded wood

Amazing and beautiful Chinese cloisonné opium pipe, enamelled with loto flowers, character marks to the base, 28cm high Astonishing opium pipe with mot...

One of a kind Thousand-Faced Fan with Box, Bamboo and Gouache, Late 19th Century - China Type: Thousand-Faced Fan Materials: Paper, gouache, bone chinoiserie wood Period: 1890s ...

Elegant and beautiful Dressing Table or it could be suitable for a jewellery box , Meiji Period ( 1868 - 1912 ). Executed with black lacquer, holding a bronze hand mirror ( ekagami) Configured with five smooth-running drawers of different Size. Two are equipped with slender "hirute"-shaped bail handles and three with decorative pull-rings. The front-and backside featuring oval grips for easy transport. Surmounted by a mirror frame in a shape reminiscent of a Shintô shrine torii-gate- a twin-posted framework with a triangular crossbar flared in upswept Chinese-style gable ( Karahafu) endings. Resting of the frame is the Japanese traditional handheld mirror with auspicious embossed design of wisteria ( fuji) and lovely patina. Inscription on the right. Considering its age the set is in a very good condition with some traces of usage and wear conform age. Dimensions: Dressing stand...

Technical data Materials: Porcelain tray, wooden legs Period: Qing Dynasty Country of origin: China Good condition for its age and use, with some flaws in the wooden structure Overall dimensions: 70 x 95 x 80 cm Porcelain dimensions: 70 x 58 cm Exquisite Fitzhugh pattern porcelain plate or tray, inlaid in a cabinet that highlights its oval profile and raised on four slightly curved square legs. The term "Fitzhugh" refers to a type of Chinese export porcelain produced primarily between 1780 and 1840, featuring blue and white designs. It originated with three members of two generations of the Fitzhugh family. Members of this family held important positions as ship captains and even as directors in the British East India Company. Within this company, high-ranking officials were allowed to engage in private trade. Between 1704 and the 1790s, porcelain pieces bearing this pattern were shipped to England. The design usually includes a central medallion, although it is occasionally replaced by a coat of arms or monogram. The medallion is surrounded by four groupings of flowers representing the four seasons—peony for spring; lotus for summer; chrysanthemum for autumn; and prunus for winter—and symbols that typically represent the four virtues of the Chinese scholar: music, painting, logical thinking, and calligraphy. The design is framed with a decorative border that may be a lattice and spearhead pattern, sometimes known by the term "Nanking," or a more elaborate border featuring butterflies, honeycomb shapes, and floral ornamentation. The definition of the Fitzhugh porcelain...