Chinese Han Dynasty 202 BC-200 AD Mingqi Camel with Original Orange Paint

Cloaked in allover verdigris oxidization, this Chinese bronze mirror has the simple beauty and undeniable texture of an ancient object. Though an exact date is unknown, the mirror's ...

This petite ceramic bust is the head of a Han dynasty (206 B.C. to 220 A.D.) figure of a personal attendant. A type of burial figurine known as míngqì, the attendant would have been ...

We are delighted to offer for sale this exceptionally important and highly collectable museum quality original Chinese bronze ritual wine vessel and...

This petite Chinese bronze mirror has the simple beauty and undeniable texture of an ancient object. Though an exact date is unknown, the mirror's round form and relief decoration s...

Cloaked in allover verdigris oxidization, this petite Chinese bronze mirror has the simple beauty and undeniable texture of an ancient object. Though an exact date is unknown, the mi...

This petite Chinese bronze mirror has the simple beauty and undeniable texture of an ancient object. Though an exact date is unknown, the mirror's round form and relief decoration su...

A stunning and massive Chinese high fired gray pottery jar of remarkable size and girth, with impressed geometric design, Eastern Han Dynasty (25-220 AD), ...

A gorgeous and striking late Warring States (475 to 221 BC) or early Han Dynasty (221 to 206 BC) cast bronze and silver-decorated garlic head hu vessel. Of elegant bottle form, w...

Superb sculpture of a laying doe from the Chinese Han Dynasty (206BC-220AD). Remainders of polychromic paint, namely red, symbol of good fortune and joy as well as the season of summer, and green, symbol of vigor and vitality and the season of spring. Mounted on base. A similar sculpture in bronze is kept at the Met Museum with the following description " A low bed, small table, and screen were often the only furnishings in a Han-dynasty room. The floors were generally covered with mats kept in place with weights in the shape of single animals, fighting beasts, or entertainers." Condition seen in pictures. Dimensions in cm ( H x L x l ) : - Sculpture : 35 x 40 x 10 - With base : 45.5 x 44 x 15 The Han Dynasty ruled China from 206 B.C. to 220 A.D. and was the second imperial dynasty of China. It is known for its promotion of Confucianism as the state religion and opening the Silk Road trade route to Europe, permanently altering the course of Chinese history. Han Dynasty art and inventions like paper still influence the world today. From the Han Dynasty to the present, deer can be found in many materials and media—rock crystal, nephrite, ink on paper, porcelain, cloisonné enamel, jade, bamboo root, textile, bronze, etc.—alone or in groups, among trees and rocks and in various positions. They appear on everyday objects, from boxes to incense burners, incense holders, lamps, mirror holders and the droppers scholars used when they wrote. A symbol of longevity and grace in Chinese mythology, the word deer is pronounced lu, a homonym for emoluments—favors granted to officials. They therefore represent wealth, nobility and success in imperial examinations (civil service exams for selecting candidates for the state bureaucracy in Imperial China). Deer were the faithful companions of Shu Lao, the god of longevity, and the goddess Magu. They were reputed to live long and to be the only creature able to find the mushroom of immortality, linghzhi. Although its spots are different, deer are sometimes confused or associated with stags, a Manchu hunting trophy whose antlers served to make prestigious furniture. (La Gazette Drouot, Claire Papon) For the colours found on this piece, in Chinese culture, red symbolizes good fortune and joy. Green, symbolizes the spring when everything is brimming over with vigor and vitality. The Han Dynasty (206 B.C. to 220 A.D.) continued the Qin Dynasty’s use of dark colours, but incorporated red. During the earlier years, or Western Han Dynasty, ordinary people wore red while court dress was black. Shoes were red in color. The clothing worn for sacrificial rites was black edged with red. In the later Eastern Han Dynasty, red symbolized the dynasty’s “fire Virtue” and became predominant. Court dress was red. Sacrificial rites called for a red-edged white layer under robes with red socks...

A stunningly quiet and elegant Western Han dynasty (206 BCE - 9 CE) high fired gray pottery figure of a female long sleeved dancer. The young dancer is portrayed in a moment of quie...