Five Green Glazed Pottery Attendant Figures, Ming Dynasty(1368-1644)

This work is a group of Qingbai (青白磁) porcelain figurines produced during the Five Dynasties to the Northern or Southern Song period (10th–13th century). A transparent glaze is appli...

Statues of Chinese musicians crafted from terracotta, featuring glazes in green, blue with nice condition. Set on rectangular bases. Compared to other figures, musician figures are relatively rare, two figures with distinctive instrument from that era. Period: Ming Dynasty Medium: Green and Blue glazed Pottery Type: Figure Provenance : Acquired in early 2000s from Hongkong Reference : 1) V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

This pair of straw-glazed pottery figures represents a male and female court attendant, both elegantly attired in period fashion. The female figure wears a flowing robe with draped f...

Han dynasty pottery tomb figure, modelled standing holding a Pitchpork in front of his body, covered in a turquoise-green glaze. These two pieces are believed to have been produced i...

A fine set of a six court attendants as in the Forbidden City of Beijing, elegantly dressed in a Green & Red Daopao – a traditional men’s formal attire from the Ming Dynasty dated 1368-1643 A.D. – with glazed robes and Red Pigment remains in their hat and belts. They stand in an honorary posture atop a red plinth, some with orifices in their hands, where spirit objects were placed to comfort or satisfy the deceased. The heads are detachable, as often seen on the larger figures from this period. They are accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - a leading authority specialized in Far East Archaeology from the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...

A Pair of Chinese Enameled Sancai Glazed Pottery Attendant Figures Representing Dignitaries. Ming Dynasty Period. Circa 1600AD Dimensions; 23 x 5.5 x 5.25 inches (58.4 x 13.7 x 13.3 ...

A set of very refined green glazed attendants and one sedan chair, each with benevolent facial expression, beautiful colors and lines, Ming dynasty 1368-1644. Three glazed attendants...

Molded of earthenware, this set of five petite sculptures are a type of centuries-old burial figurine known as míngqì. Such model figures were placed in tombs of individuals with high status to ensure a safe journey to the afterlife. Meant to depict the pleasures of daily life, common burial figures...