Japanese Edo-Period 62-Plate Kabuto 兜 Helmet with Long Lacquer Wakidate

A heavy traditional bronze temple bell (bonshô), boasting a bright green patina and a resonant sound. The top handle (ryûzu), is beautifully sculpted into the form of twin dragon he...

An uniquely double-gourd-shaped lacquer suzuri’bako (writing box) with a design of gourd leaves, by Hara Yôyûsai (1769-1845). Covered with amber coloured l...

Important unique set of two suits-of-armour (yoroi), complete with two high six-panel screens, that belong together as is indicated by the used family crests (mon). Two crests are used, both belonging to the Nakagawa family of Oka Castle, Ôita prefecture on Kyûshû. They are: – the Nakagawa-kurusu, a circle depicting a Celtic-like cross through a ring. The cross was originally a Christian symbol but after the ban on Christianity in Japan the use of a hidden cross in family crests could continue. – the Nakagawa-kashiwa, two leaves of the Japanese Emperor Oak turned to each other (dakikashiwa mon). The remarkable aspect of this ensemble is the presence of matching crests on both the yoroi and the accompanying folding screens. The kurusu and kashiwa crests adorning the yoroi are elegantly replicated on the screens, providing compelling evidence that these pieces form a harmonious and unified set. This exceptional cohesion between the armour and screens further enhances their artistic and historical value. After the warlord Toyotomi Hideyoshi (1537-1598) had interfered in the battle between the Lord of Bungo Province Ôtomo Yoshi-mune (1558-1605) and the Shimazu of Hyûga Province, he split the Bungo Province in a number of small fiefs and transferred in 1594 Nakagawa Hideshige (1570-1612) from Miki Castle in the Harima Fief to Oka Castle in Kyûshû. The Nakagawa family stayed in possession of Oka Castle till the abolishment of the military use of castles in 1873. In 1884 the Nakagawa family received the title of Count (a title in use till the abolishment of aristocracy in 1947). After the Nakagawa’s left, the castle and the building soon dilapidated and is now known as Oka Castle Ruins. The castle is located in Taketa Village part of Taketa Town in Ôita Province on Kyûshû. > Set of two tall byôbu (folding screens), painted with large red jinmaku (camp enclosure curtain) on a gold leaf ground. The curtains show both crests of the Nakagawa family: one screen depicts two Nakagawa-kurusu crests next to a Nakagawa-kashi crest in the middle, and the other shows the symbols the other way round. Dimensions: Total width 148.66 in/377.6 cm (2 x 25.35 in/64.4 cm, 4 x 24.48 in/62.2 cm); Height 72.63 in/184.5 cm. Period: Japan – Late Edo period (First half 19th century), and maybe even older. > Yoroi with Nakagawa-kashiwa crest: A Japanese black lacquered suit-of-armour (yoroi) completely laced with orange cords (kuro’urushinuri hi’ito odoshi nimai’dô’maru). A thirty-two plate suji’bachi kabuto (helmet with raised ridges) with in front a maedate (fore crest) -with traces of gilding- in the shape of flames, resembling a mythical flaming bird flying down. The fukikaeshi (face guards) and the mabizashi (visor) have the Nakagawa-kashiwa crest in gold maki-e lacquer. Five curved ‘itazane’-plate neck guards (shikoro) laced with orange cords. Together with an ‘angry man...

Elegant brown patinated bronze trumpet vase with gold and red sprinkled design. It has an impressive broad outward curved mouth decorated on both sides with the dots. Its slender bod...

A Kabuto Momonari-type samurai helmet, so named because of its characteristic shape resembling a peach, made of natural iron. The visor (mabizashi) is embellished with raised eyebr...

This is an antique combat helmet made around 1800s in Edo era in Japan. Kabuto is a type of helmet first used by ancient Japanese warriors which, in later periods, became an important part of the traditional Japanese armour...

This is a truly exceptional set of 18th century Samurai armor that is sure to impress any collector or enthusiast. The patinated iron used in its construction has aged beautifully, giving the armor a truly unique appearance that is sure to catch the eye. The brocade silk and cotton padding used to line the armor not only provide a comfortable fit for the wearer, but also add an extra layer of decorative flair. One of the most striking features of this armor is the crests of the Hirate samurai clan that adorn it. These crests are a symbol of the clan's identity and heritage, and their presence on the armor speaks to the deep connection between samurai warriors and the clans they belonged to. The Kabuto...

This complete Edo-period samurai armor is an exceptional example of the refined martial elegance and ceremonial grandeur associated with Japan’s warrior aristocracy. Every component reflects a precise harmony of functionality, symbolism, and prestige. At the heart of the set is a superb suji-bachi kabuto, constructed from multiple riveted iron plates arranged with flawless symmetry and enriched by a beautifully aged patina. It is crowned with a gilt tehen no kanamono, and the imposing maedate presents a pair of antler-like blades framing a gilded sun disc an emblem of celestial authority and divine lineage. The Fukigaeshi feature extraordinary gilt dragon ornaments, carved in high relief. Dragons, ancient symbols of protection and power, were reserved for armor of the highest rank, strongly indicating that this set belonged to a Daimyō or high-ranking retainer. The menpō, lacquered in deep black, includes a natural-hair moustache and an articulated jaw (resseibō), lending the face a vivid sense of character. Below it, the shikoro is composed of finely lacquered blue-and-gold plates, meticulously laced with silk. The okegawa ni-mai dō cuirass is finished in a dark brown lacquer and laced in deep indigo silk, complemented by elegant orange ceremonial tassels a hallmark of formal presentation armor. The sode (shoulder guards) retain their rare bear-fur trimming, an expensive and status-laden material symbolizing courage and noble rank. Completing the ensemble are beautifully made kote, haidate, and suneate, each executed with rich fabrics and refined lacquer work. A butterfly mon (chō-mon) appears on the leg guards an elegant symbol of transformation, adding a poetic contrast to the armor’s martial presence. The extensive use of gilding, the rare bear-fur details, and the prominent dragon motifs confirm this as a piece created for the highest echelons of samurai society. It is a masterpiece where ceremonial artistry, symbolism, and authority converge. Artistic and Historical Significance This armor epitomizes the Edo-period ideal, when arms and armor transcended their battlefield origins and became expressions of identity, dignity, and cultural refinement. The interplay of dark lacquer, golden ornamentation, and natural materials embodies the spirit of bushidō discipline, inner strength, and beauty through restraint. Whether displayed in a private collection, gallery, office, or interior setting, this armor commands attention. Its presence transforms any space, making it a truly museum-worthy centerpiece for collectors of Japanese, military, or historical art. The set includes its traditional stand and storage box. As with all antique armor...