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Riverscape Blue and White Teabowl, Circa 1725, Qing Dynasty, Yongzheng Reign.
$390
£294.63
€337.88
CA$544.17
A$592.22
CHF 313.94
MX$7,124.92
NOK 3,981.74
SEK 3,643.01
DKK 2,524.20
About the Item
The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natural world. The bowl's shape is traditional, with a broad rim and deep vessel, suitable for the brewing and sipping of tea, illustrating the era's confluence of art, culture, and daily utility.
Period : Qing Dynasty, Yongzheng Period
Production Date : C 1725
Made in : Jingdezhen
Destination : Netherland
Found/Acquired : Southeast Asia , South China Sea, Ca Mau ship
Size : 6.5 cm (Diameter)
Condition : Excellent (Slightly worn)
Reference : Double checked with reference to the original catalogues
1) Tau Co Ca Mau(The Ca Mau Shipwreck) Catalogue 2002 / The National Museum of Vietnamese History
2) THE CA MAU SHIPWRECK PORCELAIN : from the Collection of Dr.Zelnik , 2000
3) Sotheby’s Amsterdam, 2007 : Made In Imperial China / Sotheby's
4) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea
* The Ca Mau Cargo
The Ca Mau Cargo refers to a Chinese cargo sunken sometime between 1723 and 1735 off the coast of Vietnam’s farthest point in the South China Sea, discovered by Vietnamese fishermen in 1998. It is believed the ship was a Chinese merchant’s cargo on its way from Canton (Guangzhou) to Batavia when it caught fire and sank. The merchant had ordered the goods on board for Dutch traders, who had limited access to China and its ports.
* Porcelain for the European Market
The Ca Mau Cargo consisted of numerous types of porcelain, chinaware and blue and white wares, all designed for the European market. Blue and white ceramics recovered from the cargo appear decorated with the so-called ‘Scheveningen landscape’, also known as ‘Deshima décor’. This motif usually depicted a traditional Dutch fishing village, executed in Chinese style. Chinese wares with Western motives were extremely popular and made to order and were known as ‘China de commande’.
About the Seller
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- ShippingRetrieving quote...Shipping from: seoul, Korea South
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The artwork, with its foliage and floral motifs, suggests a connection to the natural world—a common theme in Vietnamese art. Such items were highly traded, and their recovery from shipwrecks helps us understand the extent of maritime commerce in Southeast Asia during the 15th and 16th centuries. This piece embodies the craftsmanship and aesthetic values of the period, providing insights into the cultural and economic contexts of its time.
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Reference : Double checked with reference to the original catalogue
Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000
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