Taoist dignitary statue - ancestor reliquary - lacquered wood - China Qing 19th

Big hardwood figure of a dignitary lacquered in original patina. Signs of age-related wear on the base, but all of excellent quality, China, 18th century.

Very old solid wood statue depicts the Taoist Zen Master. He wears typical Tao robe and hat, with two fingers pointing up, and the left hand on his knee. Su...

A Shadow Agate 'Horse' Snuff Bottle Chinese, Qing Dynasty 19th Century, has stopper 6.35 cm, 2 1/2 in.

Chinese wood carving with stand Age: China, 19th Century Size: Height 22.5 / Width 50.8 C.M. / Thickness 5.7 C.M. Size including stand: Height...

An high quality bronze sculpture of Buddha hand-crafted in China in late 19th century. It has normal signs of use and age.

A tall and impressive figure of the Taoist deity Wenchang Wang, carved, gessoed, lacquered, gilt and polychromed wood, Late Qing Dynasty, circa 1900, Fujian, China. Wenchang, the T...

Very elegant terracotta dignitary in blue and red robes standing with the hands joined at the chest. He wears a blue headdress with a bird at its center. Orange Terracotta This gorg...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A 19th century Chinese standing priestess sculpture made from terracotta during the later stages of the Qing dynasty with traces of original paint. This small hollow statue displays ...

A powerful Chinese figure of the Taoist diety Zhenwu (Xuanwu), carved and lacquered wood with applied lacquer details, Qing Dynasty, 19th century or earlier, China. Zhenwu, also kno...