Annamese Blue and White Ceramic Box, Chu Dau kiln, Vietnam

An elegant fine stoneware bottle vase with underglaze blue painted decoration depicting stylized flowers and foliage in a style typical of Vietnamese production from Chu Đậu (Hải Dươ...

These two blue-and-white water vessels, made at the Chu Dau kilns of 15th–16th century Vietnam, feature a single pouring spout and five functional lugs used for gripping or attaching...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of pheasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...

A stunning Song Dynasty porcelain pillow, crafted by the prestigious Long Quan kiln. This historic kiln, dating back over 1600 years, is renowned for its exquisite celadon and lotus ...

An antique 18th or 19th century Annamese ceramic garden seat from Vietnam with green and brown glaze, raised scrolling frieze, pierced top, guardian l...

Chinoiserie blue and white porcelain vase. Featuring a square base, and round top. Each side features various flora and fauna scene as well as a small diamond pattern. Sides have two...

A beautiful Yuan (1271-1368) or Ming (1368-1644) Dynasty antique Chinese blue and white yuhuchunping (yuhuchun) pear shaped dehua porcelain vase. The vase features a rounded body wi...

A large Japanese lidded ceramic jar from the kiln of Onda Yaki, circa 2010. The stoneware jar impresses the viewer with a robust bulbous form. Its black body is nearly unglazed but exuberantly splashed with strokes of slip glazes of white, yellow and blue. The visual effect is wonderful that it appears traditional and contemporary at the same time. The tri-color glaze calls to mind the San-Cai from Chinese Tang dynasty, yet the application is akin to abstract painting on canvas. Onda Yaki also spelled as Onta Yaki also spelled Onta, is a type of Japanese pottery produced in and around the village of Onta in Oita Prefecture in Kyushu Island. It was founded in 1705. Closely associated with Mingei folk art, Onda ware was inscribed by the national government in 1995 as an Intangible Cultural Property Background from Pucker Gallery where the jar was exibited and purchased. "In his search for true folk pottery, the Japanese philosopher Soetsu Yanagi...

Chinese blue and white ceramic vase.

The 21st-century blue and white ceramic vase, adorned with a motif featuring three dragons playing in clouds, represents a modern interpretation of traditional Chinese ceramic artis...