Antique Japanese Lobed Satsuma Bowl Meiji Period C.1900

Japanese Meiji Period Satsuma large square bowl Antique early Meiji Period 15" square with scalloped rim Satsuma bowl. Highly unusual and finely painted. ...

This massive Japanese Arita plate was made in Hizen, circa 1890-1910s, at the end of Meiji period by a potter named Takeshige Yoshisuke who was active in A...

A beautifully crafted large ceramic bowl as a centerpiece by Okumura Shozan (1842-1905) in the Kyo-yaki (kyoto ware) style. A Classic ovoid form with flatly...

This very large plate made in Japan during the Emperor Meiji time 1868-1912. Wonderful blue pattern on fine porcelain. There is a crack that’s shown thro...

An elegant French Louis XVI style Japonisme centerpiece comprised of a large 19th century Meiji Period Japanese Imari Porcelain bowl with French gilt metal ormolu mounts, late 19th-e...

A Japanese ceramic shallow dish in square form with rounded corners from Meiji period in the style of Ogata Kenzan. The dish features a cream color crackl...

A large Japanese porcelain platter decorated with over glaze enamels featuring three ladies in the garden among the rock grottoes, a cherry tree in blossom, a half-hidden banana tree and peonies. The ladies were pictured as holding various item, a fly...

Japanese Meiji satsuma covered scenic jar. Very detailed hand gilding and hand decoration. Maker's mark present on the bottom .

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A milky white dish with slight scalloped rim and decorated with cobalt blue iron red and green enamel over glaze, this delicate piece in Kakiemon Style was dated at least to the earl...