Antique Pair Japanese Satsuma Hand Painted Vase Urns Meiji Period 1868-1912

Japanese Meiji Period Satsuma large square bowl Antique early Meiji Period 15" square with scalloped rim Satsuma bowl. Highly unusual and finely painted. ...

This is a good quality, hand decorated Japanese porcelain charger, large plate or bowl with an Imari pattern, dating to the late 19th centur...

Japanese Meiji satsuma covered scenic jar. Very detailed hand gilding and hand decoration. Maker's mark present on the bottom .

Japanese porcelain dish or deep shell plate with a finely hand painted Satsuma pattern, dating to the 19th century, circa 1875.

Description A pair of Japanese Satsuma black-ground vases, Uchida marks, Meiji/Taisho period Of ovoid form with everted rims, painted in gilt with scenes of Mount Fuji against a bl...

A very finely made Japanese Nagoya Meiji porcelain tea set hand painted with water birds amidst flowering Iris dating from around 1900. The teaset comprises of a teapot and cover, a ...

Antique Japanese Meiji Cloisonne Charger, Bowl or Platter, Late 19th Century Japanese Meiji Cloisonne Charger A fine Japanese Meiji style charger, platter or bowl. This large clois...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A beautifully crafted large ceramic bowl as a centerpiece by Okumura Shozan (1842-1905) in the Kyo-yaki (kyoto ware) style. A Classic ovoid form with flatly...

This massive Japanese Arita plate was made in Hizen, circa 1890-1910s, at the end of Meiji period by a potter named Takeshige Yoshisuke who was active in A...