Chinese Export Porcelain Plate or Dish Celadon Glaze Hand Painted, Qing Ca 1820

This is a very good Chinese Export, (Canton) large porcelain plate or dish, all hand painted with a light green celadon glaze, which we date to the early 19th century, circa 1820, of the Qing dynasty. A feature of this plate is its size, having a large dinner plate diameter of nearly 10 inches, as the majority of plates of this type have a much smaller diameter . The plate has a light green, Celadon ground glaze with beautifully hand painted decoration, in over-glaze poly-chrome enamels of the Famille-Rose palette, featuring a bird, butterflies, fruits and flowers. The rim is hand painted in a café-au-lait light brown finish. There is an under-glaze, cobalt blue square seal mark, hand painted to the base. Overall a very good large example of a beautiful Chinese hand painted plate...

This is a hand painted blue and white Chinese porcelain plate, dating to the second half of the 18th century, circa 1770, the Qing Qianlong dynasty. This very good condition of this...

A very nicely decorated plate. Ming period. South Chinese Ming Zhangzhou Swatow. Three friends of winter with birds 21-10-19-1-8 Three friends of winter with birds ...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...