Chinese Ming Cobalt Brushed Wine Vessel, c. 1550

This petite ceramic bottle is a Ming-dynasty (1368-1644) vessel originally used for serving rice wine or spirits. The gracefully curved form is known as a yuhuchunping, or pear-shape...

Elegant yet unrefined, this ceramic wine bottle from Yunnan province is a testament to the wabi-sabi beauty of provincial Chinese pottery. Dated to the 15th/16th century, the bottle ...

This elegant ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing oil or sauces. Dated to the 15th/16th century, the bottle has a gracefully curved form kn...

This elegant ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing oil or sauces. Dated to the 15th/16th century, the small bottle has a gracefully curved f...

A Chinese Cizhou Stonweare Vessel, Ming Dynasty, 17th Century Description: Produced in Northern China, Cizhou ware was especially popular from the Song to Yuan dynasties (11th–14th ...

A splendid Jun ware porcelain Yu Tang Chun vase. Jun ware, is one of the most important kilns in China. Originated in Tang dynasty, Jun kiln produces the most...

A Chinese Cizhou Stonweare Vessel, Ming Dynasty, 17th Century Description: Produced in Northern China, Cizhou ware was especially popular from the Song to Yuan dynasties (11th–14th ...

At the center of the vase, a bird is depicted with clean yet detailed lines, capturing the moment mid-flight with a sense of dynamic energy. The artist skillfully conveys the bird’s vitality with minimal strokes, creating the impression that it could soar into the sky at any moment. Though there are no explicit branches or leaves, the flowing curves of the background subtly connect the bird with the natural world. The simplicity of the lines creates a harmonious relationship between the bird and its environment, reflecting the artist’s ability to evoke nature without relying on intricate details. The neck of the vase is adorned with elegant plant motifs, where stems and leaves stretch upward, complementing the overall shape of the vase. These motifs, while simple, add sophistication and enhance the vase’s graceful form. At the base, repeating geometric patterns contribute to the sense of balance and stability. These patterns not only ground the piece but also serve as decorative elements, completing the vase’s aesthetic unity. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Seattle Art Museum - Gift of Mary and Cheney Cowles, 2000.125. 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 3) Asian art museum, San Francisco * Vietnamese trade ceramic...