Edo Period Japanese Porcelain Plate Antique Ko-Kutani, circa 1660-1680 Top

This is an excellent example of a Japanese porcelain Charger or very large plate with a finely hand painted design, dating to the Edo period circa 1840 or possibly earlier. This cha...

A large Arita charger of circular form painted in rich cobalt blue under thick glossy glaze with a central vase of thee peony sprays on a platform, the e...

The recumbent white porcelain figure of a pug dog shown baring its teeth, decorated by hand with spot painted cobalt detail, the underside with twin holes intended for a cord to pass...

Antique Meiji period Japanese porcelain temple jar with intricate hand painted decoration and gilt. The jar in Classic Kutani colors with floral and phoenix birds all over the top an...

A Japanese glazed ceramic footed dish made in the Ko-Kutani type of Edo period but likely during Kutani revival in the 19th century Meiji Period. The dish with delicate foliaged rim ...

A bold and dramatic Japanese Kutani porcelain square tokkuri (bottle for sake), decorated in the Yoshidaya style, and attributed to the Yoshidaya Kiln (1824 - 1831). The striking sa...

Japanese Hasami ware kurawanka-type white porcelain tokkuri (sake flask), mid-late Edo period, mid 18th – early 19th century, approx. H 19.7 x D 10.5cm (7.75 x 4.13in). Characteristi...

A large Japanese blue and white decorated Arita porcelain charger, Edo Period, early 19th century, Japan. The large and shallow blue and white Arita porcelain charger measures 18 ...

A very stylish antique Edo period Japanese blue and white painted porcelain rice dish and cover decorated with watery landscapes dating from around 1850. The bowl is of wide round fo...

A fine antique Japanese Meiji period Kutani porcelain vase. By Matsumoto Sahei/Shoundo. In an aka-e style decorated throughout in iron red with extensive gilt accents. There are cartouches to either side both with branches of red flower with a backdrop of clouds on a white ground. With 2 figural dragon finial handles. Marked to the base with '九谷松雲堂製' which translates as 'Made by Shoundo of Kutani' Matsumoto Sahei (1851-1918) was a master potter who enjoyed success & recognition during his era. In 1876, Sahei received the artist name Shoundo from the nanga painter Tokuda Kansho - he would use that title for nearly 20 years until passing it onto his son as his successor in 1893. Sahei also has the distinction of taking Tokuda Yasokichi I as an apprentice when the latter was 17-years-old. The Tokuda family is perhaps one of the most famous families of Japanese ceramics: Yasokichi I is credited with revitalizing the lost art of ko-Kutani and Yasokichi I, II, & III were all recognized as "Living National Treasures" during their lifetimes. Shoundo exhibited internationally numerous times at the tail end of the 19th Century. The Keisei Isogaya Museum of Art (which specializes in Meiji Kutani) has a vase of Sahei's that was exhibited in the Philadelphia Centennial Exhibition of 1876. He is listed as exhibiting a wide variety of porcelain goods at the 1878, 1889, and 1900 Paris World Exhibitions. He is also listed as exhibiting 'incense burners & porcelain' at the World's Columbian Exhibition held in 1893 in Chicago. The pair of vases that Sahei exhibited in Paris in 1900 bear a strong resemblance to this pair. Simply a wonderfully rare Japanese porcelain...